Fig. 238.—A Skeleton, portions of which have been burnt, from the Tombs of Hallstadt.
From the data which we have acquired as to this custom of burning dead bodies during the iron epoch, we have been able to represent the funeral ceremonies of the iron epoch in the preceding figure.
The corpse is placed on a funeral pile, and the stone door of the tumulus is raised in order to deposit in it the cinerary urn. The relations of the deceased accompany the procession clothed in their handsomest garments and adorned with the bronze and iron ornaments which were then in vogue. One of those present may be seen throwing some precious objects into the flames of the funeral pile in honour of the deceased.
The tombs of Hallstadt are the locality in which the largest number of objects, such as weapons, instruments and implements, have been met with, which have tended to throw a light upon the history of the transition from the bronze to the iron epoch. All these objects are either of bronze or iron; but in the weapons the latter predominates. Swords, spear-heads, daggers, knives, socketed hatchets and winged hatchets form the catalogue of the sharp instruments. In the preceding pages (figs. 233, 234, 235 and 236) we have given representations of swords and daggers designed from the specimens in the Museum of Saint-Germain. In all these weapons the handle is made of bronze and the blade of iron. Warriors' sword-belts are frequently formed of plates of bronze, and are embellished with a repoussé ornamentation executed by the hammer.
In fig. 239 we give a representation of a necklace with pendants which is most remarkable in its workmanship. It may be readily seen that art had now attained some degree of maturity. This necklace was a prelude to the marvellous works of art which were about to be brought to light under the skies of Greece.
Fig. 239.—A Necklace with Pendants, from the Tombs of Hallstadt.