Negroes, if thus obtuse to the plastic arts, are on the contrary very easily affected by music and poetry. They sing odd and expressive recitatives at their festivals and sports, and in some Negro kingdoms a caste of singers is even to be met with, which is alleged to be hereditary, and whose members are also at the same time the chroniclers of the tribe.
Musical instruments are rather plentiful among the Africans. In addition to the drum, which holds so prominent a place in the music of the Arabs, they use flutes, triangles, bells, and even stringed instruments, with from eight to seventeen strings, the latter being supplied from the tail of the elephant. They also possess instruments fashioned from the rind of cucumbers, forming a sort of rude harp. The Mandigoes who live on the banks of the Senegal, about the middle of its course, have a species of clarionet, from four to five yards long.
233.—A ZAMBESI NEGRESS.
“The Negroes,” says Livingstone, in his “Expedition to the Zambesi,” “have had their minstrels; they have them still, but tradition does not preserve their effusions. One of these, apparently a genuine poet, attached himself to our party for several days, and, whenever we halted, sang our praises to the villagers in smooth and harmonious numbers. His chant was a sort of blank verse, and each line consisted of five syllables. The song was short when it first began, but each day he picked up more information about us, and added to the poem, until our praises grew into an ode of respectable length. When distance from home compelled him to return, he expressed his regret at leaving us, and was, of course, paid for his useful and pleasant flatteries. Another, though less gifted son of Apollo, belonged to our own party. Every evening, while the others were cooking, talking, or sleeping, he rehearsed his songs, which contained a history of everything he had noticed among the white men, and on the journey. In composing, extempore, any new piece, he was never at a loss; for, if the right word did not come, he didn’t hesitate, but eked out the measure with a peculiar musical sound, meaning nothing at all. He accompanied his recitations on the sausa, an instrument held in the fingers, whilst its nine iron keys are pressed with the thumbs. Persons of a musical turn, too poor to buy a sausa, may be seen playing vigorously on a substitute made of a number of thick sorgho-stalks sewn together, and with keys of split bamboo. This makeshift emits but little sound, but seems to charm the player himself. When the sausa is played with a calabash as a sounding board, it produces a greater volume of sound. Pieces of shell and tin are added to make a jingling accompaniment, and the calabash is profusely ornamented.”
The music of the Negroes is not confined, it may be remarked, to simple melody. They are not satisfied with merely playing the notes sung by the voice, but have some principles of harmony. They perform accompaniments in fourths, sixths, and octaves, the other musical intervals being less familiar to them, except when sometimes employed to express irony or censure. The advanced state of music amidst the Negro tribes is all the more noticeable from the fact that among ancient European races, among the ancient Greeks, at the most brilliant epoch of their history, for instance, no idea whatever prevailed of harmony in music.
The faculties of the blacks can consequently in certain respects become developed, and it is established that Negroes who live for several generations in the towns of the colonies, and who are in perpetual contact with Europeans, improve by the connection, and gain an augmentation of their intellectual capacities.
To sum up, then, the Negro family possesses less intelligence than some others of the human race; but this fact affords no justification for the hateful persecutions to which these unfortunate people have been the victims in every age. At the present day, thanks to progress and civilization, slavery is abolished in most parts of the globe, and its last remnants will not be slow to disappear. And thus will be swept away, to the honour of humanity, a barbarous custom, the unhappy inheritance of former times, repudiated by the modern spirit of charity and brotherhood; and with it will vanish the infamous traffic which is called the slave-trade.
No little time will, however, be needed in order to confer social equality on the enfranchised Negro. We cannot well express the scorn with which the liberated blacks are treated in North and South America. They are hardly looked on as human beings, and notwithstanding the abolition of slavery, are invariably kept aloof from the white population. Centuries will be required to efface among Americans this rooted prejudice, which France herself has had some trouble in shaking off, since an edict of Louis XIV. cancelled the rank of any noble who allied himself with a Negress, or even with a mulatto woman.