He seemed so broken and helpless that pity replaced horror and indignation in the heart of the girl. After all, he hadn't been unkind to her; but for him she would long since have gone to the wall; and ever since their clash on the day of the try-out, he had treated her with a studied respect which had pleased her, apprehensive though she had remained of a renewal of his advances.
Suddenly, and quite without premeditation, she darted forward and plucked Quard by the sleeve just as he was on the point of staggering through the swinging doors of a corner saloon. If her impulse had been at all articulate, she would have said that this was, in such extremity, the least she could do—to try to save him from himself.
"Charlie!" she cried. "No, Charlie—don't be a fool!"
The man halted and, turning, reeled against the door-post. "Wasmasr?" he asked thickly. Then recognition stirred in his bemused brain. "Why, it's lil Joan Thursh'y...."
"Come away," she insisted nervously. "Don't be a fool. Don't go in there. Go home."
He moved his head waggishly. "Thash where 'm goin'—home—soon's I brace up a bit."
"Come away!" Joan repeated sharply, dragging at his cuff. "Do you hear? Come away. A walk'll straighten you out better'n anything else."
"Walk, eh?" Quard lifted his chin and lurched away from the door-post. "Y' wanna take walk with me? All right"—indulgently—"I'll walk with you, lil one, 's far's y' like."
"Come, then!" she persisted. "Hurry—it's late."
He yielded peaceably, with a sodden chuckle; but as he turned the lights of the saloon illumined his face vividly for an instant, and provided Joan with a fresh and appalling problem. The man had forgotten to remove his make-up; his mouth and jaws were plastered with a coat of bluish-grey paint, to suggest a week's growth of beard when viewed across footlights; there were wide blue rings round his eyes, and splashes of some silvery mixture on his dark hair. His face was a burlesque mask, so extravagant that it could not well escape observation in any steady light. It was impossible for Joan to be seen publicly with him—in a street-car, for instance. But now that she had taken charge of him, she couldn't gain her own consent to abandon the man to the potentially fatal whims of his condition. For a moment aghast and hesitant, in another she recognized how unavoidable was the necessity of adopting the suggestion his stupefied wits had twisted out of her pleadings: she would have to walk with him a little way, at least until he could recover to some slight extent.