"But, you know, you aren't—rich."

"I'm a magnate of happiness, at all events: and today is our day, the first of our love, sweetheart. For twelve long hours we're going to forget everything but our two selfish selves. Why fret about tomorrow? It always does manage to take care of itself, somehow. And frankly, I don't care to be reminded of its existence today; for tomorrow I work...."

A day of quicksilver hours slipping ever from their jealous grasp; of hours volatile and glamorous: in Joan's half-dazed consciousness, a delectable pageant of scenes, sensations and emotions no sooner comprehended than displaced by others no less wonderful....

Abed long after midnight, visions besieged her bewilderingly: a length of dusty golden highway walled by green forest, with a white bridge glaring in sunlight at the bottom of a hill; the affrighting onrush of great motor-cars meeting their own, and the din and dust of their passage; the bright harbour of Huntington, blue and gold in a frame of gold and green, viewed from the marble balustrade of the Château des Beaux Arts; the wrinkled, kindly, comprehending face of a waiter who served them at dinner; the look in her lover's eyes as she repeated, on demand, guarded avowals under cover of the motor's rumble; the ardent face of a boy who had seemed unable to cease staring at her in the restaurant; silver and purple of the road by night; wheeling ranks of lights dotting the desolation of suburban Brooklyn; the high-flung span of Queensboro' Bridge, a web of steel and concrete strung with opalescent globes; the glare of the city's painted sky; the endless pulsing of the motor; their last caress on parting at the foot of the stairs....

On the morrow she went back to her typewriter like Cinderella to her kitchen. But what work Matthias was able to invent for her was neither arduous nor urgent; she was able to take her time on it, and wasted many an hour in dreaming. Her mind was, indeed, more engaged with thoughts of new frocks than with the circumstances of her love or her services to her lover.

She was to receive thenceforward twenty-five instead of ten dollars a week. Matthias had experienced little difficulty in over-ruling her faint protestations: they were to be together a great deal, he argued, and she must be able to dress at least neatly; moreover, by requiring her promise to marry him at some future time when his fortunes would permit, he had in a measure made her dependent upon him; she couldn't reasonably be asked to wait for long on a bare pittance.

His arguments were reinforced by one he knew nothing of, a maxim culled from the wisdom of Miss Maizie Dean: It was up to a girl to look out for herself first, last, and all the time. The platitude had made an ineffaceable impression upon Joan's sense of self-preservation. And if Matthias were able to afford nightly dinners for two at good restaurants, in addition to theater tickets several times a week, he ought to be able to afford a decent compensation to his stenographer; especially when it was his wish that she refrain from attempting to earn more money on the stage.

It was, however, true that no offer had come to Joan of other theatrical work, and that the issue of her ambition remained in abeyance, a subject which she didn't care to raise and which Matthias, since that first night, had considered settled.

Customarily they met each evening about half-past six at some distance from their lodgings: a precaution against gossip on the part of the other inmates of the Maison Duprat. Thence they would go to dine at some favourite restaurant, where food was good and evening dress not obligatory—the café of their first supper by preference, or else the Lafayette, in University Place, the Brevoort House, or one of a few minor French establishments upon which Matthias had conferred the approval of a discriminating taste. Thereafter, if he meant to work, they would take a taxicab for a brief whirl through Central Park or up Riverside Drive to Grant's Tomb and back. Or if he considered attendance upon some first representation important enough to interfere with his work, as forming part of the education of a student of contemporaneous drama, they would go to a theatre, where he always contrived to have good but inconspicuous seats.

In all, Joan must have attended with him eight or nine first-nights; and since Matthias refused to waste his time on musical comedy, they witnessed for the most part plays dealing with one phase or another of social life in either London or New York. From these Joan derived an amount of benefit which would have surprised anyone ignorant of the quickness of perception and intelligent adaptability characteristic of the American girl, however humble her origin. The poorest plays furnished her with material for self-criticism and improvement. As plays, indeed, she was but vaguely interested in them, but as schools of deportment, they held her breathlessly attentive. She never took her gaze from the stage so long as there remained upon it an actress portraying, however indifferently, a woman of any degree of cultivation whatever. Gestures, postures, vocal inflections, the character of their gowns and the manner in which they contrived to impart to them something of their wearer's personality, the management of a tea-cup or a fashion of shaking hands: all these were registered and stored away in the girl's memory, to be recalled when alone, reviewed, dissected, modified to fit her individually, practised, and eventually to be adopted with varying discretion and success.