Quard hesitated an instant, his features drawn with anger. Then abruptly: "Plenty!" he ejaculated, and as if afraid to trust himself further, turned and marched back to Broadway.
Smiling quietly, Joan made her way home. On the whole, the encounter had not been unenjoyable. She had not only held her own, she had condescended with striking success.
Later, she repented a little of her harshness; she had been hardly kind, if Quard were sincere in his protestations of reform; and a little tolerance might have earned her an evening less lonely.
It was spent, after a dinner which proved unexpectedly desolate, lacking the companionship to which of late she had grown accustomed, in the back-parlour (to which Matthias had left her the key) and in discontented efforts to fix her interest on a novel. Before ten o'clock she gave it up, and climbed to her room, to lie awake for hours in mute rebellion against her friendless estate. She might, it was true, have kept a promise made to her lover just before his departure, to look up and renew relations with her family. But the more she contemplated this step, the less it attracted her inclination. There'd be another row with the Old Man, most likely and ... anyway, there was plenty of time. Besides, they'd want money, if they found out she had any; and while a hundred and fifty was a lot, there was no telling when she'd get more.
Eventually she fell asleep while reviewing her meeting with Quard and turning over her hazy impression that it wouldn't hurt her to be less stand-offish with him, next time.
In the morning she settled herself at her typewriter in a fine spirit of determination to keep her mind occupied with the work in hand—and incidentally to rid her conscience of it—until the feeling of loneliness wore off or at least till its reality became a trifle less unpalatable through familiarity. But not two pages had been typed before the call of the sunlit September day proved seductive beyond her will to resist; a much-advertised "Promenade des Toilettes" at a department store claimed the rest of the morning; and after lunch she "took in" a moving-picture show.
But again her evening was forlorn. Theatres allured, but she hardly liked to go alone. In desperation she cast back mentally to the friends of the old days, and after rejecting her erstwhile confidant and co-labourer at the stocking counter, Gussie Innes (who lived too near home, and would tell her father, who would pass it along to the Old Man) Joan settled upon one or two girls, resident in distant Harlem, to be hunted up, treated to a musical comedy, and regaled with a narrative of the rise and adventures of Joan Thursday until their lives were poisoned with corrosive envy.
But the first mail of Wednesday furnished distractions so potent that this project was postponed indefinitely and passed out of Joan's mind, never to be revived. It brought her two letters: manufacturing an event of magnitude in the life of a young woman who had yet to write her first letter and who had thus far received only a few scrappy and incoherent notes from boyish admirers.
There was one from Matthias, posted in Chicago the preceding morning. Her first love letter, it was scanned hurriedly, even impatiently, and put aside in favour of a fat manila envelope whose contents consisted of a type-written manuscript and a note in scrawling long-hand:
"Friend Joan—
"I hope you are not still mad with me and sorry I got hot under the collar Monday only I thought you might of been a little easy on me because, I am strictly on the Water Wagon and this time mean it—
"What I wanted to talk to you about was a Sketch I got hold of a while ago you know you picked the other one only that was punk stuff compared with this I think—Please read this and tell me what you think about it if you like it, I think I will try it out soon, if it's any good it's a cinch to cop out Orpheum time for a Classy Act like this—
"Your true friend—
"Chas. H. Quard.
"P.S. of course I mean I want you to act the Womans part if you like the Sketch, what do you think!"