"Oh, these Arizona plains! they're not real desert; they're just letting on; give them a few drinks and they'll start a riot—of vegetation. But the Mojave's sure-enough he-desert: sand and sun, cactus and alkali. I'm much more interesting, I'm so human."
"Yes: I've noticed. Masculine human. But, you see, a desert's a novelty. I really must go...."
She went to sleep under two blankets, but before day-break a sudden rise in temperature woke her up.
The train was at a standstill. Lucinda put up the window-shade to see, all dim in lilac twilight, a brick platform, a building of Spanish type, a signboard proclaiming one enigmatic word: NEEDLES.
Sharp jolts in series ran through the linked cars, a trainman beneath the window performed cryptic calisthenics with a lantern, one unseen uttered a prolonged, heart-rending howl, couplings clanked, the train gathered way.
As it toiled with stertorous pantings on up-grades seemingly interminable, the night grew cool again but by no means so cold as at bedtime. The outposts of Winter had been passed. The porter who tidied up the drawing-room in the morning opened a window and adjusted a cinder-screen: the breath of the desert was warm but deliciously sweet. Outside, heat-devils jigged above a blasted waste that was, as Lucinda viewed it, weirdly beautiful. The noontide air at Barstow had all the fever of a windless day of August in the East. Within the riven scarps of the Cajon Pass it was hotter still. A long, swift down-swoop toward the Pacific brought them by mid-afternoon to San Bernardino, set in emerald, where people lolled about the platform in white flannels and airy organdies.
The panorama of sylvan loveliness, all green and gold, commanded by the windows from San Bernardino onward, prepared for a Los Angeles widely unlike the city of Lucinda's first confused impressions, for something Arcadian and spacious instead of a school of sky-scrapers that might have been transported en masse from almost any thriving commercial centre of the North Atlantic seaboard. She was sensible of dull resentment as Summerlad's car—an open one but of overpowering bigness and staggering in its colour-scheme of yellow and black with silver trimmings—progressed in majesty through streets where monstrous trolleys ground and clanged, motor vehicles plodded, champing at the bits, in solid column formation, and singularly shabby multitudes drifted listlessly between towering white marble walls.
Only train-weariness and the glad prospect of a tub bath earned the Hotel Alexandria forgivenness for its sin of ostentation in pretending to stand at Broadway and Forty-second street, New York.
That sense of having been somehow swindled was, if anything, stronger in consequence of an expedition afoot with Fanny after breakfast, in the course of which the two women explored the shopping and business district adjacent to the hotel. The imaginations responsible for the plan and building of the city had suffered from that deadly blight of imitativeness which afflicts the American mentality all the land over, restricting every form of emulation to charted channels, with the result that ambition seldom seeks its outlet in expression of individuality but as a rule in the belittling of another's achievement through simple exaggeration of its bulk and lines, in being not distinctive but only bigger, showier, and more blatant.
Having lunched with Fanny (Lontaine was busy, it was understood, promoting his indefinite but extensive motion-picture interests) Lucinda returned to rooms which Summerlad had caused to be transformed in her absence into the likeness of a fashionable florist and fruiterer's shop; and while she was trying to decide whether to move half the lot or herself out into the hall, the telephone rang and a strange voice announced that Mr. Summerlad's chauffeur was speaking and Mr. Summerlad's car was at the door and likewise at the disposition of Mrs. Lee and Mrs. Lontaine for the afternoon.