Something amused her, peals of musical laughter hunted Lontaine down the walk. "Union Pacific Station!" he cried, throwing himself into the car. "Drive like hell!"
XXXVIII
That sunset whose reluctant waning Lontaine was presently to watch from the bungalow veranda was still a glory in the sky when Lucinda motored to Beverly Hills. The heavens in the west had opened out like a many-petalled rose of radiant promise, whose reflected glow deepened the warm carnation of her face and found response in the slow fire that burned in dreaming eyes. Those whose chance it was to view so much mortal loveliness in too fleeting glimpses all envied its possessor, women her lot, men her lover's.
The soft air of evening, already tempered with an earnest of the coolth to come, was sweet to taste with parted lips. Upon the perfect highroad the car swung and swooped and swerved like a swallow, through a countryside lapped in perennial Spring. She thought: This blessed land! and thought herself thrice-blessed to be at once in it, in love, and in the fairest flower of her years.
Odd, how completely that compact with Zinn, which the clasp of their hands had sealed so lately, had done away with every form of fear and discontent. Vanity had a deal to do with that, no doubt, self-esteem purring with conviction that Zinn would never have offered to invest one lonely dollar in the picture had not his appraisement of Lucinda's work on the screen approved the risk. Zinn smelt profits in the wind; that much was manifest; which meant that success was assured to Linda Lee. The loss of half the little fortune she had sunk in the production was a mean price to pay for knowledge that failure could now reward her hopes only through some frown of fortune unanticipated by one of the canniest of those sure-thing gamblers whom the American cinema acclaims its financial genii.
Best of all, this new association spelled an end to all that meaningless and inexcusable procrastination from which the work had suffered whenever Nolan felt over-worked or harkened to the call of the continuous crap game, an institution of the studio that had its permanent habitat behind one of the stages. Zinn was notoriously scant of patience with delays that meant money thrown away; and, he had assured Lucinda (after striking his bargain) no reason existed within his knowledge why another fortnight shouldn't see the last scenes of her production shot. Much admittedly depended on how little or much of Nolan's work might seem to need retaking, when the three of them, Lucinda, Zinn and the new director, sat in judgment on the rushes in rough assemblage. But Zinn didn't believe they would find many instances of incompetent or indifferent direction so flagrant that they couldn't be cured in the cutting-room.... It's surprising what a cunning pair of shears and a neat subtitle or two can do for a scene that, as originally photographed, is good for nothing but insomnia or to bring on sclerosis of the sense of humour.
Nolan had left to the direction of his successor only the sequences in two sets. Lucinda made out a mental timetable: a week for the supper club scenes, less time than that for the living-room; another week for possible retakes, one more in which to cut and assemble the finished picture. In a month at most she ought to be able to call herself once more a free woman and bid farewell to Hollywood till the courts had made that boast a statement of consummated fact.
A single month! Such a little time when the journey's end was well in sight, a little time to wait for life to yield up all its riches. It was harder, truly, to be patient till this lesser journey should duly come to its appointed end in lovers' meeting. The car was a snail, minutes sluggards, the beauty of the land a bore to one bitterly jealous of every second which heed for speed laws stole from the half-hour she had schemed to have alone with Lynn before the Lontaines were to be expected. She had so much happiness to share with her beloved, so much to tell, everything that had happened since morning, a busy chapter of studio history of which he could know nothing, since he had not revisited the studio since leaving it for work on location that morning.
It seemed a churlish chance indeed that ordained a reception for her exclusively at the hands and glistening teeth of a semi-intelligible Jap, who, when he had uttered assorted fragments of English to the general sense that Mister was having his foot treated by an osteopath at the moment but would soon be disengaged, smirked himself into an indeterminate background and left Lucinda to make the best of this minor disappointment.