With a gasp (prudently lowering his stick) Mr. Shaynon bent to peer into the face exposed as P. Sybarite pushed back his hat; stared an instant, goggling; wheeled about, and flung heavily toward his taxicab.

"The Bizarre!" wheezed he to the chauffeur; and dodging in, banged the door.

As for P. Sybarite, he watched the vehicle swing away and round the corner of Seventh Avenue, a doubtful glimmer in eyes that had burned hot with hostility, a slight ironic smile wreathing lips that had shown hatred.

"But what's the good of that?" he said in self-disgust, as the taxicab disappeared.

With a sigh, shaking himself together, he went into Dutch House.

[ XIV ]

WHERE ANGELS FEAR TO TREAD

From street door to restaurant entrance, the hallway of Dutch House was some twenty-five feet long, floored with grimy linoleum in imitation of tiling, greasy as to its walls and ceiling, and boasting an atmosphere rank with a reek compounded of a dozen elements, in their number alcohol, cheap perfumery, cooked meats, the sweat of unclean humanity, and stale tobacco smoke.

Save for this unsavoury composite wraith, the hall was empty when P. Sybarite entered it. But it echoed with sounds of rowdy revelry from the room in back: mechanical clatter of galled and spavined piano, despondent growling of a broken-winded 'cello, nervous giggling and moaning of an excoriated violin—the three wringing from the score of O You Beautiful Doll an entirely adequate accompaniment to the perfunctory performance of a husky contralto.

Though by no means squeamish, on the testimony of his nose and ears P. Sybarite then and there concluded that he would have to have become exceedingly blasé indeed to find Dutch House amusing.