The Lone Wolf: A Melodrama

by Louis Joseph Vance

In his fretting, pacing softly to and fro, at each turn he passed his dressing-table, and chancing once to observe himself in its mirror, he stopped short, thunderstruck by something he thought to detect in the counterfeit presentment of his countenance, heavy with fatigue as it was, and haggard with contemplation of this appalling contretemps.

And instantly he was back beside the American, studying narrowly the contours of that livid mask. Here, then, was that resemblance which had baffled him; and now that he saw it, he could not deny that it was unflatteringly close: feature for feature the face of the murderer reproduced his face, coarsened perhaps but recognizably a replica of that Michael Lanyard who confronted him every morning in his shaving-glass, almost the only difference residing in the scrubby black moustache that shadowed the American's upper lip.

After all, there was nothing wonderful in this; Lanyard's type was not uncommon; he would never have thought himself a distinguished figure.

Before rising he turned out the pockets of his counterfeit. But this profited him little: the assassin had dressed for action with forethought to evade recognition in event of accident. Lanyard collected only a cheap American watch in a rolled-gold case of a sort manufactured by wholesale, a briquet, a common key that might fit any hotel door, a broken paper of Régie cigarettes, an automatic pistol, a few francs in silver—nothing whatever that would serve as a mark of identification; for though the grey clothing was tailor-made, the maker's labels had been ripped out of its pockets, while the man's linen and underwear alike lacked even a laundry's hieroglyphic.

With this harvest of nothing for his pains, Lanyard turned again to the wash-stand and his shaving kit, mixed a stiff lather, stropped another razor to the finest edge he could manage, fetched a pair of keen scissors from his dressing-case, and went back to the murderer.

He worked rapidly, at a high pitch of excitement—as much through sheer desperation as through any appeal inherent in the scheme either to his common-sense or to his romantic bent.

In two minutes he had stripped the moustache clean away from that stupid, flaccid mask.

Unquestionably the resemblance was now most striking; the American would readily pass for Michael Lanyard.

This much accomplished, he pursued his preparations in feverish haste. In spite of this, he overlooked no detail. In less than twenty minutes he had exchanged clothing with the American in detail, even down to shirts, collars and neckties; had packed in his own pockets the several articles taken from the other, together with the jointed jimmy and a few of his personal effects, and was ready to bid adieu to himself, to that Michael Lanyard whom Paris knew.

The insentient masquerader on the floor had called himself "good-enough Smith"; he must serve now as good-enough Lanyard, at least for the Lone Wolf's purposes; the police at all events would accept him as such. And if the memory of Michael Lanyard must needs wear the stigma of brutal murder, he need not repine in his oblivion, since through this perfunctory decease the Lone Wolf would gain a freedom even greater than before.