Strong as were his nerves, he had to force himself to apply a knife to its brown-papered back. And then, with a queer vindictive howl of triumph, he drew forth a curiously insipid portrait of Van Hupfeldt, inscribed “To Gwen,” with a date, and, folded behind it, a terrible little note, merely dated “Paris; Tuesday,” which read:
My Poor Girl—At last, then, you force the miserable truth from me. Mrs. Strauss is my wife. She is twice my age. She forced me to marry her ten years ago for her money. She is, indeed, dying, and then I can fly to you. For the sake of our boy, forgive me.
Harry.
“Ah!” There was something sadly animal in David’s triumph. He felt like a dog which has seized the rat after which it has been straining, and, in a minute or two, he had the grace to be ashamed of himself. Then he thought of Violet, and he broke down, crying like a child. Those tears were good for him; they brought him back to sanity and garnished the dark places of his heart.
But what to do? That was more than ever the problem. He bolted and barred his door that night, and the photograph and letter lay beside his revolver under his pillow. Not forty Van Hupfeldts nor a legion of ghosts should reave him of those telling pieces of evidence!