Oddly enough, the first person she wished to see was Miss Ermyn L’Estrange. She remembered the actress well, as she had visited her once (Jenny, the maid, was out on an errand at the time), and it was one of the many curious discrepancies in the tissue of mingled fact and fiction which obscured her sister’s fate that such a volatile and talkative woman should have written the curt little note sent at Hupfeldt’s bidding. Violet could not understand the reason, but she saw a loophole here. The long journey in the train had enabled her to review the information she possessed with a certain clarity and precision hitherto absent from her bewildered thoughts. In a word, there were several marked lines of inquiry, and she was resolved to follow each separately.
She felt that she had gone the wrong way to work in the first frenzy of her grief. She was calm now, more skilled in hiding her suspicion, less prone to jump at conclusions. All unknown to her, the little germ of passion planted in her heart by David’s few words in the summer-house was governing her whole being. From the timid, irresolute girl, who clung to unattainable ideals, she was transformed into a woman, ready to dare anything for the sake of the man she loved, while the mere notion of marriage with Van Hupfeldt was so loathsome that she was spurred into the physical need of strenuous action to counteract it.
So it was in a restrained yet business-like mood that she climbed the stairs leading to Miss L’Estrange’s flat and rang the electric bell. The door was opened by Jenny.
Not all the resources of pert Cockneyism availed that hapless domestic when she set eyes on Miss Mordaunt. She uttered a helpless little wail of dismay, and retreated a few steps, as though she half expected the wonder-stricken young woman to use strong measures with her.
“Well, what is it now?” came her mistress’s sharp demand, for in that small abode there reigned what the Italians call “a delightful confidence,” Jenny’s scream and rush being audible in the drawing-room.
“Ow!” stammered Jenny, “it’s a young lady, miss.”
“A young lady? Is she nameless?”
“No,” said Violet, advancing toward the voice; “but your maid seems to be alarmed by the sight of me. You know me, Miss L’Estrange. I only wish I had discovered sooner that you employed my sister’s servant, Sarah Gissing.”
Ermyn was accustomed to stage situations. She instantly grasped her part; for she was fresh from the interview with David, and there could be no doubt that the unmasking of Van Hupfeldt was as settled now as the third act of the farcical comedy in which she would play the soubrette that night.
“Sarah Gissing!” she said with a fine scorn. “That is not her name. She is Jenny—Jenny—blest if I have ever called her anything else. Here, you! what is your other name?”