“What, then? Is there more than one chief?”
“To be sure. Is there not the Council of the Barah Topi? (Twelve Hats.) Are not Bakht Khan and Akhab Khan in charge of brigades? Where hast thou been, brother, that these things are not known to thee?”
“Be patient with me, I pray thee, friend. I and twenty more, whom thou seest here, have ridden in within the hour. We come to join the Jehad, and we are grieved to find a dispute toward when we expected to be led against the infidels.”
The sepoy laughed scornfully.
“You will see as many fights here as outside the walls,” he muttered, and moved off, for men were beginning to guard their tongues in Imperial Delhi.
A rowdy gang of full five hundred armed mutineers marched up and hustled the mob right and left as they forced a way to the gate. Their words and attitude betokened trouble. The opportunity was too good to be lost. Malcolm dismounted, gave the reins to Chumru, and told him to wait his return under some trees, somewhat removed from the road, for Akhab Khan had sharp eyes, and the Mohammedan’s grotesque face was well known to him. Chumru made a fearsome grimace, but Malcolm’s order was peremptory. Summoning a fruit-seller, the bearer led the Gwalior men to the rendezvous named and distributed mangoes amongst them.
Frank joined the ruck of the demonstrators and passed through the portals of the magnificent gate. A long, high-roofed arcade, spacious as the nave of a cathedral, with raised marble platforms for merchants on each side, gave access to a quadrangle. In the center stood a fountain, and round about were grassy lawns and beds of flowers.
The sepoys tramped on, heedless of the destruction they caused in the garden. They passed through the noble Nakar Khana, or music-room, and entered another and larger square, at the further end of which stood the Diwan-i-Am, or Hall of Public Audience.
Not even in Agra, and certainly not in gaudy Lucknow, had Malcolm seen any structure of such striking architectural effect. The elegant roof was supported on three rows of red sandstone pillars, adorned with chaste gilding and stucco-work. Open on three sides, the audience chamber was backed by a wall of white marble, from which a staircase led to a throne raised about ten feet from the ground and covered with a rarely beautiful marble canopy borne on four small pillars.