“Naturally, I can give you every proof of my statements,” said Mr. Dobson. “They are all here——”
“Mebbe ye’ll know this writin’,” interrupted Martha, laying down the miniature for the first time. She unlocked a drawer, took out a small tin box, and from its depths produced, among other articles, a crumbling sheet of note paper. On it was written:
“My name is not Martineau. I have killed myself and my boy. If he dies with his unhappy mother he will never know the miseries of this life.”
It was unsigned, undated, a hurried scrawl in faded ink.
“Margaret’s handwriting,” said Colonel Grant, looking at the pathetic message with sorrow-laden eyes.
“It was found on t’ poor leddy’s dressin’-table, fastened wi’ a hatpin. An’ these are t’ clothes Martin wore when he fell into John’s arms. Nay, sir,” she added, as Colonel Grant began examining the little frock, “she took good care, poor thing, that neäbody should find oot wheä she was. Ivvery mark hez bin picked off.”
“Martin is his feyther’s son, or I ken nowt aboot stock,” cried John Bolland, making a fine effort to dispel the depression which again possessed the little gathering at sight of these mournful mementoes of the dead past. “Coom, gentlemen, sit ye doon an’ hev some tea. Ye’ll not be for takkin’ Martin away by t’ next train. Martha, what’s t’ matter wi’ ye? I’ve nivver known folk be so lang i’ t’ hoose afore an’ not be asked if they had a mooth.”
“Ye’re on t’ wrang gait this time, John,” she retorted. “I axed ’em afore ye kem in. By this time, sure-ly, ye’ll be wantin’ soom ham an’ eggs?” she added to the visitors.
“By Jove! I believe I could eat some,” laughed the colonel.