"You must have hurried. I do hope I haven't put you to any inconvenience?"
"Eliza informed me that she had just popped my chicken in the oven, so there is plenty of time," he said. "I suppose it makes one hot to be constantly popping things into ovens. In the course of years one should become a sort of salamander. Have you ever read the autobiography of that great artist and very complete rascal, Benvenuto Cellini? He is the last person reputed to have seen a real salamander in the fire, and he only remembered the fact because his father beat him lest he should forget it."
"Ben who?" broke in Robert cheerfully.
"Benvenuto Cellini."
"Never heard of him.... Well, let's have a peep-o. Miss Manning and I dine at a quarter to eight. You've been taking some snapshots in the park, I'm told. If they've got any ginger in them——"
"Probably you will describe them as hot stuff," said Trenholme, laying a portfolio on the wall in front of Sylvia and opening it.
"This is a pencil drawing of the great gates," he went on, ignoring Fenley. "Of course, they're Wren's, and therefore beautiful. Roxton Park holds a real treasure in those gates, Miss Manning. Here is a water-color sketch of the house and grounds. Do you like it?"
"Oh, it is exquisite! Why, you have caught the very glint of sunshine on the walls and roofs, and it is shimmering in the leaves of that copper beech. Ah me! It looks so easy."
Robert peered over her shoulder. Sylvia's gasp of admiration annoyed him; but he looked and said nothing.
"This," continued Trenholme, "is an unfinished study of the lake. I was so busily occupied that I was not aware of your presence until you were quite near at hand. Then when you dived into the water I grabbed a canvas and some tubes of paint. Here is the result—completed, to a large extent, in my room at the inn."