Sylvia did not scream. She had recognized Trenholme's voice, but she felt absurdly like fainting. Perhaps she swayed slightly, and her rescuer was aware of it, for he gathered her up in his arms as he might carry a scared child, nor did he set her on her feet when they were clear of the trees and in the open park.

"You are quite safe now," he said soothingly. "You are greatly upset, of course, and you need a minute or two to pull yourself together; but no one will hurt you while I am here. When you feel able to speak, you'll tell me where to take you, and I'll be your escort."

"I can speak now, thank you," said Sylvia, with a composure that was somewhat remarkable. "Please put me down!"

He obeyed, but she imagined he gave her a silent hug before his clasp relaxed. Even then his left hand still rested on her shoulder in a protective way.


CHAPTER XIV

The Spreading of the Net

That John Trenholme should be in the right place at the right moment, and that the place should happen to be one where his presence was urgently required in Sylvia Manning's behalf, was not such a far-fetched coincidence as it might be deemed, for instance, by a jury. Juries are composed mainly of bald-headed men, men whose shining pates have been denuded of hair by years and experience, and these factors dry the heart as surely as they impoverish the scalp. Consequently, juries (in bulk, be it understood; individual jurors may, perhaps, retain the emotional equipment of a Chatterton) are skeptical when asked to accept the vagaries of the artistic temperament in extenuation of some so-called irrational action.

In the present case counsel for the defense would plead that his clients (Sylvia would undoubtedly figure in the charge) were moved by an overwhelming impulse shared in common. It was a glorious night, he might urge; each had been thinking of the other; each elected to stroll forth under the stars; their sympathies were linked by the strange circumstances which had led to the production of a noteworthy picture—what more likely than that they should visit the scene to which that picture owed its genesis?