Miss Robinson gazed at her plate, nervously peeling a banana. She had not spoken much during the dinner, but she had hung on Wyndham's words with a naïve, unconscious admiration, which, from a prettier and more brilliant woman, he would scarcely have passed with so little a sense of appreciation.
"Thank you for the compliment, Mr. Wyndham," she said simply. "I am afraid the distinction will be due more to your work than to your sitter."
"No, indeed, Miss Robinson," he protested, with a suave gravity that made his polished assurance the more impressive and charming. "I did not intend any compliment—I spoke only as the artist." He was rather surprised that a woman should display so little vanity. And, in a subtle way, it did not enhance his estimation of her.
Miss Robinson's banana occupied her more earnestly than ever; but her mother came to the rescue by raising the important question of costume. Wyndham, after further professional consideration of his client, preferred to paint Miss Robinson as he saw her now. And with a ready sense of detail he saw, too, that certain rings she wore, though he had not observed them closely at first, would make excellent spots in a scheme of decoration. These rings were unusually chosen, and were more artistic than extravagant. The one on her right hand was a small, subtle cat's-eye surrounded by fine pearls. On her left hand were an aquamarine, and a scarab that shone like the patina of an ancient bronze. Almost without a pause he dashed at once at a scheme, which he elucidated there and then, much to their overwhelming. He would pose her on an Empire chair. In a blue and white Oriental vase on a high stand at the side should be arranged three tall arum lilies amid some vivid carnation blossoms. Why, the Nankin bowl on the mantelpiece was the very thing! The background of the picture should be vague and of an olive-grey tone, laid in with free brushwork, against which the masses of creamy lace would show deliciously decorative. The great surmounting coil of hair would give character to the whole scheme, and the lilies of the valley in the velvet band afford a final contrast of lightness and graciousness against the intense note of the coiffure.
The parents were radiant with pleasure, though poor Miss Robinson looked more and more scared each instant. In her trepidation she could only echo stammeringly the elder people's wonder at his great skill and cleverness. The scheme unfolded itself before them richly beautiful—not one of your dull black portraits, but a canvas glowing with exquisite light and colour.
"There, Alice, you ought to be proud of yourself," said her father, rallying her good-naturedly as a parting shot, when the women rose to retire; and Wyndham attended their exit under the crimson hanging with his most engaging air.
Left alone, the men drew their chairs to the fire, and Mr. Robinson brought forward boxes of fragrant-smelling cigars, large and rotund. The atmosphere of comfort enveloped Wyndham soothingly: the sense of unlimited abundance seemed a miracle after his long privation. Fortunately he had not been tempted to have his glass filled too often: he had appreciated all these good and luscious things with commendable moderation, and had been stimulated to brilliancy without losing cool command of himself. He lighted his cigar at the little silver smoker's lamp that just then came in with the coffee, and, as he puffed, a splendid warm feeling of well-being took possession of him. He helped himself to cream and sugar with the masterful calm and something of the gesture of a stage hero.
Presently Mr. Robinson raised the subject of Wyndham's fee for the portrait, approaching the point apologetically.
"Of course, we could hardly discuss this side of the matter before my wife and daughter," said the old man. "But I must insist on your accepting a fair remuneration for the work—shall we say two hundred guineas?"
"To be frank," said Wyndham, "if you had left it to me, I should hardly have mentioned so large a sum."