Mr. Simon Kettering himself was a mild-featured little man, whose Sunday broad-cloth was but a thin disguise of the fact that all the week he worked amid his journeymen in apron and shirt-sleeves. He wore spectacles with light steel frames that seemed to cut deep into his flesh; his hair was fast greying and his face was much lined, which, however, interfered little with the benevolence of his expression. His hands were large and coarse-grained and of a tint that no longer yields to ablutions.
On their arrival, about a quarter of an hour previously, Cleo had left Morgan in the hall and had gone up to see her parents, returning for him some five minutes later and introducing him to them in the room in which he now sat. As he was not present at the actual meeting of Cleo and the old people, he now asked Mr. Kettering if the sudden appearance of his daughter after all these years hadn't startled him.
"Me!" exclaimed his father-in-law. "Why, not a bit! When she was only that big, I soon found out it wasn't any use taking notice of her goings and comings. The missus has been worrying about her a good deal. But I always said to her: 'Selina's a girl who can take care of herself, and sure enough she'll turn up all right one of these fine days.' It was very wrong of her, though, not to let us have a line from her for nigh on six years. But I fancy she was always a bit ashamed of us. Her notions were always so grand, and plain, hard-working people weren't good enough for her. I'm very sorry indeed that things have turned out so disastrously. My Selina, to tell the truth, is a queer creature, sir, and, if I may take the liberty of saying so, I think you were a fool to marry her."
Cleo, at her first interview with her parents, had made a clean breast of the fact that her theatre had been a failure and that they had lost all their money, though she did not omit to mention she was conducting negotiations which would soon put them on their feet again. Morgan smiled at Mr. Kettering's bluntness, and he somehow divined that there was a shrewd pair of eyes behind those spectacles that took in far more than they appeared to do.
"I'm hanged if I'd ever have married her," pursued the master-printer, "and that's telling you the plain truth, sir. You see what she has done for you already. Why did you give her all that money? You should have let her go on acting and drawing a regular salary, instead of risking all that capital in that monstrously foolish way. You'll excuse my freedom, I know, sir."
From which Morgan deduced that Cleo's version of the whole affair had not been entirely coloured by truth. From the way Mr. Kettering dropped his voice and looked reverential as he mentioned "all that money," it was quite clear Cleo's imagination had magnified the loss to accord with her sense of the fitness of things. A great loss of money was the next glorious thing to a great success.
Mr. Kettering proceeded to lay it down as a general maxim that there was nothing in life like drawing a regular salary. Ever since he had been a master-printer on his own account, he had been regretting the fact. A workman knew exactly how much he had to spend and how to spend it. But in these days when competition was so severe and trade so uncertain, the master had much to be thankful for if he could pay his way at all. Not that he himself was not perfectly able to earn a living at all times, he added in some haste, as if to reassure his son-in-law; and certainly his daughter and her husband were quite welcome to be his guests as long as they chose to stay under his roof.
Morgan felt drawn towards the old man, though he perceived that Simon Kettering's soul could not take wing out of the atmosphere of his workshop, and that whosoever wished to commune with him must descend into it. But it was from this very atmosphere that Cleo had emerged—Cleo, with her vitriolic notions and her pretentious scents! This, then, was that mystic past against which her figure had stood out!
Cleo and her mother returned a few minutes later, interrupting Mr. Kettering's account of the many vexations that preyed on him—his troubles with his men, the heavy expense of constantly renewing the composition on his machine rollers, the idleness and wantonness of the apprentice, the perpetual ordering of "sorts" from the type-founder, the inconsiderateness of customers who kept his type locked up, and the carelessness of everybody but himself in the handling of his material.
"We've been getting along capitally, Mr. Druce and I," he broke off to explain to the two women. "It's well on towards dinner-time, and the children ought to be coming in soon."