Flowers, sweet flowers, I charge thee well,
O'er the brow where ye bloom cast a healing spell;
From the shadowy glen where spirits dwell,
I have borne thee here, thy power to tell.
Flowers, pale flowers, o'er the brow where ye lie,
Cast thy sweetest breath ere ye fade and die.
[Ione places the garland on the head of the prince, who falls asleep. She sits beside him softly singing.
CURTAIN.
SCENE SIXTH.
[The Queen's apartment. The Queen alone.]
Queen. 'Tis strange what power this slave hath gained o'er Constantine. She hath won him back to health again, and never have I seen so gay a smile upon his lips as when she stood beside him in the moonlight singing to her harp. And yet, tho' well and strong again, he takes no interest in his native land. He comes no more to council hall or feast, but wanders 'mong his flowers with Ione. How can I rouse him to the danger that is near! The Turkish sultan and his troops are on their way to conquer Greece, and he, my Constantine, who should be arming for the fight, sits weaving garlands with the lovely slave girl! Ah, a thought hath seized me! Why cannot she who hath such power o'er him rouse up with noble words the brave heart slumbering in his breast? I hear her light step in the hall. Ione, Ione,—come hither! I would speak with thee.
[Enter Ione.
Ione. Your pleasure, dearest lady.
Queen. Ione, thou knowest how I love thee for the brave deeds thou hast done. Thou hast given health unto my son, hath won him back to happiness. Thou hast conquered his aversion to the princess, and he will gladly wed her when the hour shall come. Is it not so?