“Good heavens, that sounded like the wail of a lost soul! My blood runs cold, and I feel as if I ought to say my prayers,” muttered Canaris, with a shiver; for, with his susceptible temperament, music always exerted over him an almost painful power.
“If you knew any,” sneered Helwyze, whose eyes now glittered with something stronger than excitement.
“I do: Gladys taught me, and I am not ashamed to own it.”
“Much good may it do you.” Then, in a quieter tone, he asked, “Is there any song in ‘Elaine’? I forget; and that is the only one we have not had.”
“There is ‘The Song of Love and Death.’ Gladys was learning it lately; and, if I remember rightly, it was heart-rending. I hope she will not sing it, for this sort of thing is rather too much for me;” and Canaris got up to wander aimlessly about, humming the gayest airs he knew, as if to drown the sorrowful “Too late! too late!” still wailing in his ear.
By this time Gladys was no longer quite herself: an inward excitement possessed her, a wild desire to sing her very heart out came over her, and a strange chill, which she thought a vague presentiment of coming ill, crept through her blood. Every thing seemed vast and awful; every sense grew painfully acute; and she walked as in a dream, so vivid, yet so mysterious, that she did not try to explain it even to herself. Her identity was doubled: one Gladys moved and spoke as she was told,—a pale, dim figure, of no interest to any one; the other was alive in every fibre, thrilled with intense desire for something, and bent on finding it, though deserts, oceans, and boundless realms of air were passed to gain it.
Olivia wondered at her unsuspected power, and felt a little envious of her enchanting gift. But she was too absorbed in “setting the stage,” dressing her prima donna, and planning how to end the spectacle with her favorite character of Cleopatra, to do more than observe that Gladys’s eyes were luminous and large, her face growing more and more colorless, her manner less and less excited, yet unnaturally calm.
“This is the last, and you have the stage alone. Do your best for Felix; then you shall rest and be thanked,” she whispered, somewhat anxiously, as she placed Elaine in her tower, leaning against the dark screen, which was unfolded, to suggest the casement she flung back when Launcelot passed below,—
“And glanced not up, nor waved his hand,
Nor bade farewell, but sadly rode away.”