“He is the image of Sydney, with that beard on.”
“Doesn’t she look as if she really hated him?”
“Perhaps she does.”
Coventry uttered the last exclamation, for the two which preceded it suggested an explanation of the marvelous change in Jean. It was not all art: the intense detestation mingled with a savage joy that the object of her hatred was in her power was too perfect to be feigned; and having the key to a part of her story, Coventry felt as if he caught a glimpse of the truth. It was but a glimpse, however, for the curtain dropped before he had half analyzed the significance of that strange face.
“Horrible! I’m glad it’s over,” said Lucia coldly.
“Magnificent! Encore! Encore!” cried Gerald enthusiastically.
But the scene was over, and no applause could recall the actress. Two or three graceful or gay pictures followed, but Jean was in none, and each lacked the charm which real talent lends to the simplest part.
“Coventry, you are wanted,” called a voice. And to everyone’s surprise, Coventry went, though heretofore he had always refused to exert himself when handsome actors were in demand.
“What part am I to spoil?” he asked, as he entered the green room, where several excited young gentlemen were costuming and attitudinizing.
“A fugitive cavalier. Put yourself into this suit, and lose no time asking questions. Miss Muir will tell you what to do. She is in the tableau, so no one will mind you,” said the manager pro tem, throwing a rich old suit toward Coventry and resuming the painting of a moustache on his own boyish face.