Jo's Boys

by Louisa May Alcott

'Can't run the thing and act too. He's capitally made up, and likes a bit of melodrama.'

'This scene ought to have come later; but I wanted to show that the mother was the heroine as soon as possible. I'm tired of love-sick girls and runaway wives. We'll prove that there's romance in old women also. Now he's coming!'

And in slouched a degraded-looking man, shabby, unshaven, and evil-eyed, trying to assume a masterful air as he dismayed the tranquil old woman by demanding his child. A powerful scene followed; and Mrs Meg surprised even those who knew her best by the homely dignity with which she at first met the man she dreaded; then, as he brutally pressed his claim, she pleaded with trembling voice and hands to keep the little creature she had promised the dying mother to protect; and when he turned to take it by force, quite a thrill went through the house as the old woman sprung to snatch it from the cradle, and holding it close, defied him in God's name to tear it from that sacred refuge. It was really well done; and the round of applause that greeted the fine tableau of the indignant old woman, the rosy, blinking baby clinging to her neck, and the daunted man who dared not execute his evil purpose with such a defender for helpless innocence, told the excited authors that their first scene was a hit.

The second was quieter, and introduced Josie as a bonny country lass setting the supper-table in a bad humour. The pettish way in which she slapped down the plates, hustled the cups, and cut the big brown loaf, as she related her girlish trials and ambitions, was capital. Mrs Jo kept her eye on Miss Cameron, and saw her nod approval several times at some natural tone or gesture, some good bit of by-play or a quick change of expression in the young face, which was as variable as an April day. Her struggle with the toasting-fork made much merriment; so did her contempt for the brown sugar, and the relish with which she sweetened her irksome duties by eating it; and when she sat, like Cinderella, on the hearth, tearfully watching the flames dance on the homely room, a girlish voice was heard to exclaim impulsively:

'Poor little thing! she ought to have some fun!'

The old woman enters; and mother and daughter have a pretty scene, in which the latter coaxes and threatens, kisses and cries, till she wins the reluctant consent of the former to visit a rich relation in the city; and from being a little thunder-cloud Dolly becomes bewitchingly gay and good, as soon as her wilful wish is granted. The poor old soul has hardly recovered from this trial when the son enters, in army blue, tells he has enlisted and must go. That is a hard blow; but the patriotic mother bears it well, and not till the thoughtless young folks have hastened away to tell their good news elsewhere does she break down. Then the country kitchen becomes pathetic as the old mother sits alone mourning over her children, till the grey head is hidden in the hands as she kneels down by the cradle to weep and pray, with only Baby to comfort her fond and faithful heart.

Sniffs were audible all through the latter part of this scene; and when the curtain fell, people were so busy wiping their eyes that for a moment they forgot to applaud. That silent moment was more flattering than noise; and as Mrs Jo wiped the real tears off her sister's face, she said as solemnly as an unconscious dab of rouge on her nose permitted:

'Meg, you have saved my play! Oh, why aren't you a real actress, and I a real playwright?'

'Don't gush now, dear, but help me dress Josie; she's in such a quiver of excitement, I can't manage her, and this is her best scene, you know.'

So it was; for her aunt had written it especially for her, and little Jo was happy in a gorgeous dress, with a train long enough to satisfy her wildest dreams. The rich relation's parlour was in festival array, and the country cousin sails in, looking back at her sweeping flounces with such artless rapture that no one had the heart to laugh at the pretty jay in borrowed plumes. She has confidences with herself in the mirror, from which it is made evident that she had discovered all is not gold that glitters, and has found greater temptations than those a girlish love of pleasure, luxury, and flattery bring her. She is sought by a rich lover; but her honest heart resists the allurements he offers, and in its innocent perplexity wishes 'mother' was there to comfort and counsel.