Jo's Boys

by Louisa May Alcott

'Don't suggest that we are growing old, my Lord. We have only bloomed; and a very nice bouquet we make with our buds about us,' answered Mrs Amy, shaking out the folds of her rosy muslin with much the air of dainty satisfaction the girl used to show in a new dress.

'Not to mention our thorns and dead leaves,' added Jo, with a sigh; for life had never been very easy to her, and even now she had her troubles both within and without.

'Come and have a dish of tea, old dear, and see what the young folks are about. You are tired, and want to be “stayed with flagons and comforted with apples”,' said Laurie, offering an arm to each sister, and leading them away to afternoon tea, which flowed as freely on Parnassus as the nectar of old.

They found Meg in the summer-parlour, an airy and delightful room, full now of afternoon sunshine and the rustle of trees; for the three long windows opened on the garden. The great music-room was at one end, and at the other, in a deep alcove hung with purple curtains, a little household shrine had been made. Three portraits hung there, two marble busts stood in the corners, and a couch, an oval table, with its urn of flowers, were the only articles of furniture the nook contained. The busts were John Brooke and Beth—Amy's work—both excellent likenesses, and both full of the placid beauty which always recalls the saying, that 'Clay represents life; plaster, death; marble, immortality'. On the right, as became the founder of the house, hung the portrait of Mr Laurence, with its expression of mingled pride and benevolence, as fresh and attractive as when he caught the girl Jo admiring it. Opposite was Aunt March—a legacy to Amy—in an imposing turban, immense sleeves, and long mittens decorously crossed on the front of her plum-coloured satin gown. Time had mellowed the severity of her aspect; and the fixed regard of the handsome old gentleman opposite seemed to account for the amiable simper on lips that had not uttered a sharp word for years.

In the place of honour, with the sunshine warm upon it, and a green garland always round it, was Marmee's beloved face, painted with grateful skill by a great artist whom she had befriended when poor and unknown. So beautifully lifelike was it that it seemed to smile down upon her daughters, saying cheerfully:

'Be happy; I am with you still.'

The three sisters stood a moment looking up at the beloved picture with eyes full of tender reverence and the longing that never left them; for this noble mother had been so much to them that no one could ever fill her place. Only two years since she had gone away to live and love anew, leaving such a sweet memory behind her that it was both an inspiration and a comforter to all the household. They felt this as they drew closer to one another, and Laurie put it into words as he said earnestly:

'I can ask nothing better for my child than that she may be a woman like our mother. Please God, she shall be, if I can do it; for I owe the best I have to this dear saint.'

Just then a fresh voice began to sing 'Ave Maria' in the music-room, and Bess unconsciously echoed her father's prayer for her as she dutifully obeyed his wishes. The soft sound of the air Marmee used to sing led the listeners back into the world again from that momentary reaching after the loved and lost, and they sat down together near the open windows enjoying the music, while Laurie brought them tea, making the little service pleasant by the tender care he gave to it.

Nat came in with Demi, soon followed by Ted and Josie, the Professor and his faithful Rob, all anxious to hear more about 'the boys'. The rattle of cups and tongues grew brisk, and the setting sun saw a cheerful company resting in the bright room after the varied labours of the day.