"It is close and musty here, with all this old tapestry and stuff about; I'll open the other window," she thought; and, noiselessly slipping from Amy's side, she threw on wrapper and slippers, lighted her candle and tried to unbolt the tall, diamond-paned lattice. It was rusty and would not yield, and, giving it up, she glanced about to see whence air could be admitted. There were four doors in the room, all low and arched, with clumsy locks and heavy handles. One opened into a closet, one into the passage; the third was locked, but the fourth opened easily, and, lifting her light, she peeped into a small octagon room, full of all manner of curiosities. What they were she had no time to see, for her startled eyes were riveted on an object that turned her faint and cold with terror.
A heavy table stood in the middle of the room, and seated at it, with some kind of weapon before him, was a man who looked over his shoulder, with a ghastly face half hidden by hair and beard, and fierce black eyes as full of malignant menace as was the clinched hand holding the pistol. One instant Helen looked, the next flung to the door, bolted it and dropped into a chair, trembling in every limb. The noise did not wake Amy, and a moment's thought showed Helen the wisdom of keeping her in ignorance of this affair. She knew the major was close by, and possessing much courage, she resolved to wait a little before rousing the house.
Hardly had she collected herself, when steps were heard moving softly in the octagon room. Her light had gone out as she closed the door, and sitting close by in the dark, she heard the sound of some one breathing as he listened at the key-hole. Then a careful hand tried the door, so noiselessly that no sleeper would have been awakened; and as if to guard against a second surprise, the unknown person drew two bolts across the door and stole away.
"Safe for a time; but I'll not pass another night under this roof, unless this is satisfactorily cleared up," thought Helen, now feeling more angry than frightened.
The last hour that struck was three, and soon the summer dawn reddened the sky. Dressing herself, Helen sat by Amy, a sleepless guard, till she woke, smiling and rosy as a child. Saying nothing of her last night's alarm, Helen went down to breakfast a little paler than usual, but otherwise unchanged. The major never liked to be disturbed till he had broken his fast, and the moment they rose from the table he exclaimed,—
"Now, girls, come and see the mysteries of Udolpho."
"I'll say nothing, yet," thought Helen, feeling braver by daylight, yet troubled by her secret, for Hoffman might be a traitor, and this charming chateau a den of thieves. Such things had been, and she was in a mood to believe anything.
The upper story was a perfect museum of antique relics, very entertaining to examine. Having finished these, Hoffman, who acted as guide, led them into a little gloomy room containing a straw pallet, a stone table with a loaf and pitcher on it, and, kneeling before a crucifix, where the light from a single slit in the wall fell on him, was the figure of a monk. The waxen mask was life-like, the attitude effective, and the cell excellently arranged. Amy cried out when she first saw it, but a second glance reassured her, and she patted the bald head approvingly, as Karl explained.—
"Count Severin is an antiquarian, and amuses himself with things of this sort. In old times there really was a hermit here, and this is his effigy. Come down these narrow stairs, if you please, and see the rest of the mummery."
Down they went, and the instant Helen looked about her, she burst into a hysterical laugh, for there sat her ruffian, exactly as she saw him, glaring over his shoulder with threatening eyes, and one hand on the pistol. They all looked at her, for she was pale, and her merriment unnatural; so, feeling she had excited curiosity, she gratified it by narrating her night's adventure. Hoffman looked much concerned.