“I change your rags into a splendid dress, because you are good,” said the godmother in her stage tones; and deliberately unbuttoning the brown pinafore, she displayed a gorgeous sight.
The little Princess really was pretty enough to turn the heads of any number of small princes, for her mamma had dressed her like a tiny court lady, in a rosy silk train with satin under-skirt, and bits of bouquets here and there, quite lovely to behold. The godmother put a crown, with pink and white feathers drooping from it, on her head, and gave her a pair of silver paper slippers, which she put on, and then stood up, lifting her skirts to show them to the audience, saying, with pride, “My dlass ones, ain’t they pitty?”
She was so charmed with them, that she was with difficulty recalled to her part, and made to say—
“But I have no toach, Dodmother.”
“Behold it!” and Nan waved her wand with such a flourish, that she nearly knocked off the crown of the Princess.
Then appeared the grand triumph of the piece. First, a rope was seen to flap on the floor, to tighten with a twitch as Emil’s voice was heard to say, “Heave, ahoy!” and Silas’s gruff one to reply, “Stiddy, now, stiddy!” A shout of laughter followed, for four large gray rats appeared, rather shaky as to their legs and queer as to their tails, but quite fine about the head, where black beads shone in the most lifelike manner. They drew, or were intended to appear as if they did, a magnificent coach made of half the mammoth pumpkin, mounted on the wheels of Teddy’s wagon, painted yellow to match the gay carriage. Perched on a seat in front sat a jolly little coachman in a white cotton-wool wig, cocked hat, scarlet breeches, and laced coat, who cracked a long whip and jerked the red reins so energetically, that the gray steeds reared finely. It was Teddy, and he beamed upon the company so affably that they gave him a round all to himself; and Uncle Laurie said, “If I could find as sober a coachman as that one, I would engage him on the spot.” The coach stopped, the godmother lifted in the Princess, and she was trundled away in state, kissing her hand to the public, with her glass shoes sticking up in front, and her pink train sweeping the ground behind, for, elegant as the coach was, I regret to say that her Highness was rather a tight fit.
The next scene was the ball, and here Nan and Daisy appeared as gay as peacocks in all sorts of finery. Nan was especially good as the proud sister, and crushed many imaginary ladies as she swept about the palace-hall. The Prince, in solitary state upon a somewhat unsteady throne, sat gazing about him from under an imposing crown, as he played with his sword and admired the rosettes in his shoes. When Cinderella came in he jumped up, and exclaimed, with more warmth than elegance,—
“My gracious! who is that?” and immediately led the lady out to dance, while the sisters scowled and turned up their noses in the corner.
The stately jig executed by the little couple was very pretty, for the childish faces were so earnest, the costumes so gay, and the steps so peculiar, that they looked like the dainty quaint figures painted on a Watteau fan. The Princess’s train was very much in her way, and the sword of Prince Rob nearly tripped him up several times. But they overcame these obstacles remarkably well, and finished the dance with much grace and spirit, considering that neither knew what the other was about.