"Now mind, boy; do exactly as I tell you, or I 'll drop you like a hot chestnut and leave you to get home as you can," said Mario, in a sharp whisper, as they paused on the threshold of the door.
"I will, signor, indeed I will!" murmured Tino, scared by the flash of his master's black eye and the grip of his hand, as he pulled the bashful boy forward.
In they went, and for a moment Tino only perceived a large light room full of people, who all looked at him as he stood beside Mario with his guitar slung over his shoulder, red cheeks, and such a flutter at his heart that he felt sure he could never sing there. The amiable host came to meet and present them to a group of ladies, while a flock of children drew near to look at and listen to the "nice singing boy from Genoa."
Mario, having paid his thanks and compliments in his best manner, opened the little concert by a grand piece upon the piano, proving that he was a fine musician, though Tino already began to fancy he was not quite so good a man as he wished to appear. Then he sang several airs from operas; and Tino forgot himself in listening delightedly to the mellow voice of his master, for the lad loved music and had never heard any like this before.
When Tino's turn came, he had lost his first shyness, and though his lips were dry and breath short, and he gave the guitar an awkward bang against the piano as he pulled it round ready to play upon, the curiosity in the faces of the children and the kindly interest of the ladies gave him courage to start bravely off with "Bella Monica,"--the easiest as well as gayest of his songs. It went well; and with each verse his voice grew clearer, his hand firmer, and his eyes fuller of boyish pleasure in his own power to please.
For please he did, and when he ended with a loud twang and kissed his hand to the audience as he always used to do to the girls at home, every one clapped heartily, and the gentlemen cried, "Bravo, piccolo! He sings in truth like a little nightingale; encore, encore!"
These were sweet sounds to Tino; and he needed no urging to sing "Lucia" in his softest tones, "looking like one of Murillo's angels!" as a young lady said, while he sang away with his eyes piously lifted in the manner Mario had taught him.
Then followed a grand march from the master while the boy rested; after which Tino gave more folk-songs, and ended with a national air in which all joined like patriotic and enthusiastic Italians, shouting the musical chorus, "Viva Italia!" till the room rang.
Tino quite lost his head at that, and began to prance as if the music had got into his heels. Before Mario could stop him, he was showing one of the little girls how to dance the Salterello as the peasants dance it during Carnival; and all the children were capering gayly about the wide polished floor with Tino strumming and skipping like a young fawn from the woods.
The elder people laughed and enjoyed the pretty sight till trays of ices and bonbons came in; and the little party ended in a general enjoyment of the good things children most delight in. Tino heard his master receiving the compliments of the company, and saw the host slip a paper into his hand; but, boylike, he contented himself with a pocket full of sweetmeats, and the entreaties of his little patrons to come again soon, and so backed out of the room, after bowing till he was dizzy, and bumping against a marble table in a very painful manner.