Those who themselves are quick to suffer, are also quick to see the marks of suffering in others; that hasty scrutiny assured Sylvia of all she had yearned to know, yet wrung her heart with a pity the deeper for its impotence. Tilly's heavy head drooped between her bearer and the light as they left the room, but in the dusky hall a few hot tears fell on the baby's hair, and her new nurse lingered long after the lullaby was done. When she reappeared the girlish dress was gone, and she was Madam Moor again, as her husband called her when she assumed her stately air. All smiled at the change, but he alone spoke of it.
"I win the applause, Sylvia; for I sustain my character to the end, while you give up before the curtain falls. You are not so good an actress as I thought you."
Sylvia's smile was sadder than her tears as she briefly answered—
"No, I find I cannot be a child again."
CHAPTER XV.
EARLY AND LATE.
One of Sylvia's first acts when she rose was most significant. She shook down her abundant hair, carefully arranged a part in thick curls over cheeks and forehead, gathered the rest into its usual coil, and said to herself, as she surveyed her face half hidden in the shining cloud—
"It looks very sentimental, and I hate the weakness that drives me to it, but it must be done, because my face is such a traitor. Poor Geoffrey! he said I was no actress; I am learning fast."
Why every faculty seemed sharpened, every object assumed an unwonted interest, and that quiet hour possessed an excitement that made her own room and countenance look strange to her, she would not ask herself, as she paused on the threshold of the door to ascertain if her guests were stirring. Nothing was heard but the sound of regular footfalls on the walk before the door, and with an expression of relief she slowly went down. Moor was taking his morning walk bareheaded in the sun. Usually Sylvia ran to join him, but now she stood musing on the steps, until he saw and came to her. As he offered the flower always ready for her, he said smiling—