"Then go; go now, while I can say it as I should."
"The good Lord bless and help you, Sylvia."
She gave him both her hands, but though he only pressed them silently, that pressure nearly destroyed the victory she had won, for the strong grasp snapped the slender guard-ring Moor had given her a week ago. She heard it drop with a golden tinkle on the hearth, saw the dark oval, with its doubly significant character, roll into the ashes, and felt Warwick's hold tighten as if he echoed the emphatic word uttered when the ineffectual gift was first bestowed. Superstition flowed in Sylvia's blood, and was as unconquerable as the imagination which supplied its food. This omen startled her. It seemed a forewarning that endeavor would be vain, that submission was wisdom, and that the husband's charm had lost its virtue when the stronger power claimed her. The desire to resist began to waver as the old passionate longing sprang up more eloquent than ever; she felt the rush of a coming impulse, knew that it would sweep her into Warwick's arms, there to forget her duty, to forfeit his respect. With the last effort of a sorely tried spirit she tore her hands away, fled up to the room which had never needed lock or key till now, and stifling the sound of those departing steps among the cushions of the little couch where she had wept away childish woes and dreamed girlish dreams, she struggled with the great sorrow of her too early womanhood, uttering with broken voice that petition oftenest quoted from the one prayer which expresses all our needs—
"Lead me not into temptation, but deliver me from evil."
CHAPTER XVII.
ASLEEP AND AWAKE.
March winds were howling round the house, the clock was striking two, the library lamp still burned, and Moor sat writing with an anxious face. Occasionally, he paused to look backward through the leaves of the book in which he wrote; sometimes he sat with suspended pen, thinking deeply; and once or twice he laid it down, to press his hand over eyes more weary than the mind that compelled them to this late service.
Returning to his work after one of these pauses, he was a little startled to see Sylvia standing on the threshold of the door. Rising hastily to ask if she were ill, he stopped half way across the room, for, with a thrill of apprehension and surprise, he saw that she was asleep. Her eyes were open, fixed and vacant, her face reposeful, her breathing regular, and every sense apparently wrapt in the profoundest unconsciousness. Fearful of awakening her too suddenly, Moor stood motionless, yet full of interest, for this was his first experience of somnambulism, and it was a strange, almost an awful sight, to witness the blind obedience of the body to the soul that ruled it.
For several minutes she remained where she first appeared. Then, as if the dream demanded action, she stooped, and seemed to take some object from a chair beside the door, held it an instant, kissed it softly and laid it down. Slowly and steadily she went across the room, avoiding all obstacles with the unerring instinct that often leads the sleepwalker through dangers that appall his waking eyes, and sat down in the great chair he had left, leaned her cheek upon its arm, and rested tranquilly for several minutes. Soon the dream disturbed her, and lifting her head, she bent forward, as if addressing or caressing some one seated at her feet. Involuntarily her husband smiled; for often when they were alone he sat there reading or talking to her, while she played with his hair, likening its brown abundance to young Milton's curling locks in the picture overhead. The smile had hardly risen when it was scared away, for Sylvia suddenly sprung up with both hands out, crying in a voice that rent the silence with its imploring energy—