"Have you seen her?"
"No; take me where I can, and tell me what you know of her."
"Nothing, but that she is André's cousin, and he adores her, as boys always do a charming woman who is kind to them. Affect to be admiring these flowers, and look without her knowing it, or she will frown at you like an insulted princess, as she did at me."
Sylvia looked, saw the handsomest woman in Havana, and hated her immediately. It was but natural, for Sylvia was a very human girl, and Ottila one whom no woman would love, however much she might admire.
Hers was that type of character which every age has reproduced, varying externally with climates and conditions, but materially the same from fabled Circe down to Lola Montes, or some less famous syren whose subjects are not kings. The same passions that in ancient days broke out in heaven-defying crimes; the same power of beauty, intellect, or subtlety; the same untamable spirit and lack of moral sentiment are the attributes of all; latent or alert as the noble or ignoble nature may predominate. Most of us can recall some glimpse of such specimens of Nature's work in a daring mood. Many of our own drawing-rooms have held illustrations of the nobler type, and modern men and women have quailed before royal eyes whose possessors ruled all spirits but their own. Born in Athens, and endowed with a finer intellect, Ottila might have been an Aspasia; or cast in that great tragedy the French Revolution, have played a brave part and died heroically like Roland and Corday. But set down in uneventful times, the courage, wit, and passion that might have served high ends dwindled to their baser counterparts, and made her what she was,—a fair allurement to the eyes of men, a born rival to the peace of women, a rudderless nature absolute as fate.
Sylvia possessed no knowledge that could analyze for her the sentiment which repelled, even while it attracted her toward Warwick's betrothed. That he loved her she did not doubt, because she felt that even his pride would yield to the potent fascination of this woman. As Sylvia looked, her feminine eye took in every gift of face and figure, every grace of attitude or gesture, every daintiness of costume, and found no visible flaw in Ottila, from her haughty head to her handsome foot. Yet when her scrutiny ended, the girl felt a sense of disappointment, and no envy mingled with her admiration.
As she stood, forgetting to assume interest in the camellias before her, she saw Gabriel join his cousin, saw her pause and look up at him with an anxious question. He answered it, glancing toward that part of the room where she was standing. Ottila's gaze was fixed upon her instantly; a rapid, but keen survey followed, and then the lustrous eyes turned away with such supreme indifference, that Sylvia's blood tingled as if she had received an insult.
"Mark, I am going home," she said, abruptly.
"Very well, I'm ready."
When safe in her own room Sylvia's first act was to take off the holly wreath, for her head throbbed with a heavy pain that forbade hope of sleep that night. Looking at the little chaplet so happily made, she saw that all the berries had fallen, and nothing but the barbed leaves remained. A sudden gesture crushed it in both her hands, and standing so, she gathered many a scattered memory to confirm that night's discovery.