“Now the circle is complete and the picture perfect. Don’t light the lamps yet, please, but talk away and let me make a mental study of you. I seldom find so charming a scene to paint,” said Randal, beginning to enjoy himself immensely, with a true artist’s taste for novelty and effect.
“Tell us about your book, for we have been reading it as it comes out in the magazine, and are much exercised about how it’s going to end,” began Saul, gallantly throwing himself into the breach, for a momentary embarrassment fell upon the women at the idea of sitting for their portraits before they were ready.
“Do you really read my poor serial up here, and do me the honor to like it?” asked the novelist, both flattered and amused, for his work was of the æsthetic sort, microscopic studies of character, and careful pictures of modern life.
“Sakes alive, why shouldn’t we,” cried Aunt Plumy. “We have some eddication, though we ain’t very genteel. We’ve got a town libry, kep up by the women mostly, with fairs and tea parties and so on. We have all the magazines reg’lar, and Saul reads out the pieces while Ruth sews and I knit, my eyes bein’ poor. Our winter is long and evenins would be kinder lonesome if we didn’t have novils and newspapers to cheer ’em up.”
“I am very glad I can help to beguile them for you. Now tell me what you honestly think of my work? Criticism is always valuable, and I should really like yours, Mrs. Basset,” said Randal, wondering what the good woman would make of the delicate analysis and worldly wisdom on which he prided himself.
Short work, as Aunt Plumy soon showed him, for she rather enjoyed freeing her mind at all times, and decidedly resented the insinuation that country folk could not appreciate light literature as well as city people.
“I ain’t no great of a jedge about anything but nat’ralness of books, and it really does seem as if some of your men and women was dreadful uncomfortable creaters. ’Pears to me it ain’t wise to be always pickin’ ourselves to pieces and pryin’ into things that ought to come gradual by way of experience and the visitations of Providence. Flowers won’t blow worth a cent ef you pull ’em open. Better wait and see what they can do alone. I do relish the smart sayins, the odd ways of furrin parts, and the sarcastic slaps at folkses weak spots. But, massy knows, we can’t live on spice-cake and Charlotte Ruche, and I do feel as if books was more sustainin’ ef they was full of every-day people and things, like good bread and butter. Them that goes to the heart and ain’t soon forgotten is the kind I hanker for. Mis Terry’s books now, and Mis Stowe’s, and Dickens’s Christmas pieces,—them is real sweet and cheerin’, to my mind.”
As the blunt old lady paused it was evident she had produced a sensation, for Saul smiled at the fire, Ruth looked dismayed at this assault upon one of her idols, and the young ladies were both astonished and amused at the keenness of the new critic who dared express what they had often felt. Randal, however, was quite composed and laughed good-naturedly, though secretly feeling as if a pail of cold water had been poured over him.
“Many thanks, madam; you have discovered my weak point with surprising accuracy. But you see I cannot help ‘picking folks to pieces,’ as you have expressed it; that is my gift, and it has its attractions, as the sale of my books will testify. People like the ‘spice-bread,’ and as that is the only sort my oven will bake, I must keep on in order to make my living.”
“So rumsellers say, but it ain’t a good trade to foller, and I’d chop wood ’fore I’d earn my livin’ harmin’ my feller man. ’Pears to me I’d let my oven cool a spell, and hunt up some homely, happy folks to write about; folks that don’t borrer trouble and go lookin’ for holes in their neighbors’ coats, but take their lives brave and cheerful; and rememberin’ we are all human, have pity on the weak, and try to be as full of mercy, patience and lovin’ kindness as Him who made us. That sort of a book would do a heap of good; be real warmin’ and strengthenin’, and make them that read it love the man that wrote it, and remember him when he was dead and gone.”