"Who can this pretty Priscilla be? I must make her talk and find out. Never shall get the eyes right, if she doesn't look up," thought the artist, who, instead of devoting himself to the historical chair, was basely sketching the girl whose youth and beauty were wonderfully enhanced by the antiquity around her.
"Mrs. Hill is a rich woman, if all these treasures have a history. Even if they haven't, they would bring a good price; for things of this sort are all the rage now, and the older the better," he said aloud in a sociable tone, as he affected to study the left arm of the famous chair.
"They are not hers to sell, for they belonged to the first Mrs. Hill, who was a Quincy, and had a right to be proud of them. The present Mrs. Hill doesn't value them a bit; but she was a Smith, so her family relics are nothing to boast of," answered the girl, using her bit of wash-leather as if the entire race of Smith ought to be rubbed out of existence.
"And she is going to sell all these fine old things, is she?" asked the artist, with an eye to bargains.
"No, indeed! they belong to—to the first Mrs. Hill's daughter, named after her, Dorothy Quincy," the girl began impetuously, but checked herself, and ended very quietly with a suddenly averted head.
"A fine name, and I shouldn't think she would be in haste to change it," said the artist, wondering if Miss Dorothy Quincy was before him.
"Not much hope of that, poor thing," with a shake of the head that made several brown curls tumble out of the net which tried to confine a riotous mass of them.
"Ah, I see, a spinster?" and the young man returned to his work with greatly abated interest in the subject.
The bright eyes glanced quickly up, and when they fell the snuffer-tray reflected a merry twinkle in them, as their owner answered gravely,—
"Yes, a spinster."