The shell is suspended in the centre of a chamber, formerly the salle de réception of Henry II. d'Albret, and surrounded with trophies, in tawdry taste, which it is the intention to have removed, and the gilt helmet and feathers replaced by some armour really belonging to King Henry.

Those who contend for this being the genuine shell say, that, when on the 1st of May, 1793, the revolutionary mob came howling into the castle-court, with the intention of destroying every relic of royalty, the precious shell was hastily removed, and another put in its place, belonging to a loyal subject who had been induced to sacrifice his own to save the public treasure. M. de Beauregard had, it seems, a cabinet of natural history, in which was a tortoise-shell of very similar size and appearance: this he gave up, and, with the assistance of other devoted persons, it was conveyed to the castle, and put into the accustomed place, while the real shell was carefully hidden in a secure retreat. The mob seized upon the substitute, and, with frantic cries, danced round the fire in the court while they saw it burn to ashes, little dreaming how they had been deceived: years after, the truth was revealed, and the cradle of the Béarnais was produced in triumph. Whether, in the midst of the terror attending the proceedings of savages athirst for blood, it was likely that such cool precautions were taken to save a relic when lives were at stake, is a question which seems easily answered; but there is such a charm about the belief, that, perhaps, 'tis folly to be wise on the subject.

The fine marble statue of Henry, which is appropriately placed in one of the chambers, was executed soon after the battle of Ivry: it is by Francavilla, and very expressive: it belonged to the Gallery of Orleans, and was presented to the town of Pau by the King.

The room said to be that where Henry was born, and where Jeanne d'Albret sang the famous invocation, "Notre Dame au bout du Pont," is on the second story of a tower, from whence, as from all this side of the castle, is a magnificent view of the mountains, and the valley of the Gave. There is nothing now left but bare walls; but on the chimney is sculptured the tortoise-shell cradle, and the arms of Béarn and Navarre; these rooms will be all repaired and restored; at present, the whole suite reminded me of the desolation of the castle of Blois, which was desecrated in the same manner by soldiery, who made it a barrack. The room which was Henry's nursery has a few of the original rude rafters of the ceiling remaining, which one would wish should not be removed; but it is said that it is necessary. The thick coating of whitewash cleared away from the chimney-piece will, probably, disclose more sculpture, similar to that in the other rooms.

Queen Jeanne had been unfortunate in losing her other children, one of whom died in a melancholy manner. While she was out hunting with her father and her husband, the nurse and one of her companions, being at a loss to amuse themselves, thought of a game, in which they threw the child from one window to the other, catching it in turns. The poor little prince was made the victim to this cruel folly, for he fell on the balcony which extended along the first-floor, and broke one of his ribs. He suffered much, and survived only a few days. No wonder Queen Jeanne sent her little son, Henry, to a cottage, to be nursed, where there was no upper story!

Nothing can be less imposing, on the interior side of the court, than the castle of Pau: ruined, dilapidated buildings surround the rugged old well which stands in the centre; towers and tourelles, of various shapes, lift their grey and green and damp-stained heads in different angles; low door-ways, encumbered with dust and rubbish, open their dark mouths along the side opposite the red square tower of Gaston Phoebus, which frowns at its equally grim brother, whose mysterious history no one knows; other doors and windows are finely-sculptured; and medallions, much defaced, adorn the walls.

On these antique towers, it is said the thunder never fell but once—that once was on the 14th of May, 1610, at the very moment when the steel of Ravaillac found the heart of Henry of Navarre. The event is thus recorded:—

"A fearful storm burst over the town of Pau on this day; a thunderbolt fell, and defaced the royal arms over the castle-gateway; and a fine bull, which was called the King, from its stately appearance, the chief of a herd called the royal herd, terrified by the noise and clamour, precipitated itself over the walls into the ditch of the castle, and was killed. The people, hurrying to the spot, called out The King is dead! The news of the fatal event in Paris reached Pau soon after, and they found their loss indeed irreparable."

The shades of Henry and Sully are said sometimes to walk along the ramparts even now; and it was formerly believed that near the great reservoir, into which it was said Queen Jeanne used to have her Catholic prisoners thrown, numerous ghosts of injured men might be seen flitting to and fro. One evening I was returning, later than usual, from the promenade in the park, and had paused so often on my way to observe the effect of the purple and rosy-tinted mountains glowing with the last rays of sunset, that it was in quite a dim light that I reached the spot beneath which the ivied head of the old, ruined, red Tour de la Monnaie shows the rents of its machicoulis. A double row of young trees is planted here, at the foot of the artificial mound which supports the castle walls, and at the end of the alley is the reservoir, with the square tower of Gaston Phoebus above it. I was startled by a sudden apparition, so vivid that it seemed impossible to mistake its form, passing by the reservoir, as if after descending the steep which leads to it. I seemed to see a grey, transparent figure in armour, the head covered with a helmet, with a pointed frontlet, such as I had seen in an old gallery, filled with rusty coats of arms, at the Château of Villebon, near Chartres, where Sully had lived for five-and-twenty years, and where he died. The figure was slight, and moved slowly, waving its head gently: it was in good proportion, but at least eight feet high. I stopped astonished, for the vision was so very plain—and then it was gone. I continued my way, and again I saw it, and it appeared as if several others, less tall, but still in armour, were by its side, by no means so distinct. I paused again, it was growing darker and darker, and I then could distinguish nothing but a row of slender trees, whose delicate leaves were shivering in the evening breeze, and whose stems waved to and fro. I went home—through the chill damp castle court, and across the bridge to the dismal street—impressed with an agreeable, though somewhat tremulous conviction, that I must have seen some of the ghosts which haunt the walks of the old castle.

I expected to hear that the memory of Queen Jeanne was venerated on this spot; but was surprised to find that she holds a place in tradition little more honourable than that occupied by our bloody Queen Mary; for there is scarcely any atrocity in history of which she is not the heroine: whatever might have been her fame with her Protestant subjects, those who succeeded them seemed carefully to have treasured the remembrance of all the cruelties executed by her orders, which, it must be acknowledged, were little in accordance with the religion of peace she professed to have adopted. Her son, whose faith was of so changeable a character that it suited all parties, is the pride and boast of the country; but the object of love appears to be the amiable Princess Catherine, his sister, for whom her mother built, in a secluded spot in the royal park, a residence, called Castel Beziat, the last stones of which have now disappeared, as well as the gardens originally planted by Gaston XI., in 1460, and said, in the time of Henri II. and Marguerite, to be the finest in Europe. It is difficult now to imagine where they were; but they are said to have been on the south side, and probably extended along that part now occupied by the Basse Plante and the baths of Henri Quatre, as far as the present entrance of the park.