Béarn and the Pyrenees

by Louisa Stuart Costello

Long before the day broke, we were again in the saddle, and, as we passed St. Sauveur, its long range of white buildings could only be faintly traced; but, as we advanced, the snowy peak of Bergons, glowing in the rays of the rising sun, seemed to light us on our way, and coily the charms of the valley revealed themselves to my eager gaze. I have wandered in many lands, and seen much mountain-scenery; but I think I never beheld any that approaches the beauty and sublimity of the road to Gavarnie. There is everything here to delight the eye, and fill the mind with wonder,—

"All that expands the spirit, yet appals."

For some miles the road continues to ascend; in many places, a mere horse-track, cut in the mountain side, and fenced by a low wall from an abyss of fearful depth, in whose dark cavity is heard the roar of the torrent which afterwards converts the generic name of Gave into one peculiar to itself. The sides of the mountains are thickly clothed with box, which grows to a great height; and at this season the Autumn tint had given to it the loveliest hues, contrasting well with the dark pines which climb to the verge of vegetation on the far-off slopes. Suddenly, the character of the scene is altered,—the road descends—the foliage disappears, or shows itself only in patches in the ravines, and masses of dark grey rock usurp its place; the noisy waters of the Gave make themselves more distinctly heard, and a few rude cottages appear. This is the village of Gèdre: and here I witnessed one of those mountain-effects which are often so terrible. A week before, two houses stood by the way-side—the homes of the peasants whom we saw at work in a neighbouring meadow. They were then, as now, employed in cutting grass for hay, when a low, rumbling noise was heard in the valley, which soon grew louder; and the affrighted labourers, casting their eyes upwards, saw that an enormous rock had suddenly detached itself from the mountain, and was now thundering down the steep. They fled with precipitation, and succeeded in saving their lives; but when they ventured to return to the spot, they found that an immense block had fallen upon one of the cottages, crushing it into powder, and leaving nothing standing but one of the gable ends. So it still remained,—and so, no doubt, it will continue till the end of time; for the mass is too ponderous to be moved by anything short of a convulsion of nature.

I could have wished to have turned aside at Gèdre to visit the Cascade of Saousa, but Gavarnie beckoned onwards to greater attractions; so again we pursued our route, and I speedily lost all thought for other wonders in the tremendous passes which bear the name of Chaos, and of which the best description can give but a faint and imperfect idea. The huge masses of rock, looking like fallen buildings, which are strewn along the valley in inextricable confusion, defy calculation. There they lie, the consequence of some terrific déboulement, which must have shaken the mountains to their centre when the mighty ruin was effected. It is supposed that the accident may have occurred in the sixth century, when a fearful earthquake disturbed the Pyrenees; but no written record remains to attest it. On the first view of this scene of disorder, it seems as if all further progress were stopped; but as we descend amongst the enormous blocks, a path is found winding through them, which the perseverance of the mountaineers has formed. Emerging from this terrific glen, the pastures and fields which surround the village of Gavarnie smile a welcome to the traveller, which is but ill-confirmed when he reaches the gloomy inn—the last and worst in France. Here we abandoned our horses, and after glancing at the cascade of Ossonne, I passed hastily through the village, and, mounting on a flat rock, threw myself down to gaze upon the stupendous Circus of Gavarnie, which, though still a full league distant, appears, at the first glance, to be within a quarter of an hour's walk. I was all impatience to reach the foot of that cascade of which I had so often read, but which I scarcely ever hoped to see, and, as soon as Charlet had stabled his steeds, we set out. For the first mile the road lay between narrow meadows, which owe their freshness to the Gave; these then gave place to a stony plain, the dry beds of some ancient lakes; and having traversed their expanse, we crossed the last bridge, constructed by the hands of man, over the river, and then climbing a series of sharp, irregular ascents, which would have passed for very respectable hills elsewhere, but here seemed mole-heaps only, we stood, at length, on the perpetual snow, which forms a solid crust at the foot of the circus of Gavarnie.

It seemed as if I had at length realised one of those dreams which fill the mind when first we read the wondrous tales of old romance: it was, indeed, the very spot described in one of the most celebrated of the earliest cycle; but my thoughts were less of Charlemagne and his paladins—though the Brèche de Roland was now within reach—than of the stupendous grandeur of the scene. It required very little exercise of fancy to imagine that we had arrived at the end of the world—so perfectly impassable appeared the barrier which suddenly rose before us. The frowning walls of granite which form the lowest grade of this vast amphitheatre, rise to a height of twelve hundred feet perpendicularly, and extend to nearly three-quarters of a league, increasing in width as they ascend to the regions of eternal snow; where may be traced a succession of precipices, until they are lost in the bases of the Cylindre and the Tours de Marboré, themselves the outworks of the Mont Perdu, from whose glaciers flow the numerous cascades which, in summer, shoot from the lower ridge of the Circus.

The great waterfall of Gavarnie—the loftiest in Europe—pours its slender stream from a height of upwards of thirteen hundred feet, on the eastern side of the Circus, and in its snow-cold water I dipped my travelling-cup, qualifying with veritable Cognac the draught I drank to the health of distant friends.

My great desire was to make the ascent of the Brèche de Roland; but Charlet had learnt, in the village where he made inquiry, that the snow had fallen heavily on the mountains only the day before, and that, consequently, it would be a matter of extreme difficulty and danger to make the attempt. It was now past mid-day, and the time necessary for accomplishing the ascent with the prospect of returning by daylight, was too limited; so, with reluctance, I gave up the idea. The season at which I visited Gavarnie was, indeed, too late (it was the 9th of October,) to admit of being very excursive, for long days and steady weather are absolutely necessary to enable one to do justice to mountain-scenery. I resolved, however, to remain within the Circus as long as I could, and, after descending to the Pont de Neige, from whose blue depths rushes the Gave de Pau, I climbed a rock at the edge of the snow, and sat there lost in admiration of the glorious scene. As I looked in the direction of the Brèche, itself invisible from the spot where I was, I observed an eagle soaring majestically above the cleft where tradition points to the last exploit of the valorous nephew of Charlemagne, whose type the imperial bird might well be deemed. It was here, according to the veracious chronicle of Archbishop Turpin, that, after defeating the Saracen king, Marsires, in the pass of Roncesvalles, Roland, grievously wounded, laid himself down to die, the shrill notes of his horn having failed to bring him the succour he expected from his uncle. It is in Roncesvalles that poets have laid the scene of his death, where—

"On Fontarabian echoes borne
The dying hero's call"

resounded; and, if truth attaches to the received story of his death, Roncesvalles is, no doubt, the site. But the legend has shed its romance on the immortal heights of the towers of Marboré; and, to account for the fissure in the rock, it must be with these in our recollection, that we read that quaint apostrophe to his sword which the chronicler has preserved:—

After laying himself down beneath a rock, Roland drew his sword, Durendal, and regarding it "with great pity and compassion," he exclaimed, in a loud voice, "plorant et larmoyant:"—