At the moment that the Dame d'Artiguelouve and her son are alighting from their horses, they are arrested, and impressed with a superstitious feeling of terror, by observing a fine white courser at the door of the church, held by a page. This was, at the period, a bad omen for the stranger who first saw it, and boded no good to any one.

"'I would not', said Joan Bordenabe—a peasant standing by,—'for the castle of Artiguelouve, have met with so bad an omen, as the Ena[40] Garsende and her noble son, who have come at once, face to face, with that animal, covered, as it would seem by his colour, with the snows of the Pyrenees: by our Lady of Sarrance, their future years will be as black as he is white!'

"'But,' replied his companion, 'if I were the knight to whom the charger belongs, I would part with him instantly, even if, at the same time as I drowned him, I must throw into the Gave my sword and golden spurs: don't you see that spiteful-looking magpie, which has just started up before him, after having chattered in his very face? What awful signs of evil are these! and on such a morning, at the rising of the sun! * * * May the bon Dieu, the Holy Virgin, and the white fairies of the subterranean caves, who are always combing their hair at the first glimpse of dawn, and looking into the clear mirror of the fountains, protect that beautiful young lady, who is at this moment entering the church. It is to be hoped she has made an ample provision of fennel to lay under her bed's head, and in her oratory, to counteract the evil influence of the Brouches!'"[41]

While the young lady, Marie de Lignac, enters the church to perform her devotions, the rest of the party leave her, to join the chase of the wild boar, which the Lord of Artiguelouve, the father of Odon, is following, as his horns announce, in the adjacent forest.

The Hospital of Aubertin, which still exists, is a building of the twelfth century, and was one of many establishments depending on the order of monks hospitalers of Sainte Christine: it served as an asylum to the pilgrims of St. James, and as a resting-place to travellers going and coming to and from Spain, Marie found the church filled with persons of different professions: merchants from Arragon and Catalonia; pilgrims adorned with palms and cockle-shells, emblems of their wandering; shepherds in their red dresses and brown berret-caps; and wayfarers of many sorts, waiting only for the morning to continue their journey in various directions, and offering up their prayers previously to setting out. Among others, she noticed particularly a young knight (un beau caver[42]) devoutly kneeling at the foot of the altar of the Virgin, while his archers and men-at-arms were engaged in prayer close behind him: she judged that to him must belong the white charger at the church-door, which had inspired the peasants with so much superstitious terror. Nothing appeared to disturb the devotion of the knight; neither the neighing of steeds without, nor the clatter of the hoofs of mules in the court, as the different groups prepared to depart; nor the coming and going of the merely curious, who were busied observing the beauty of the edifice, the materials of which, according to popular belief, were furnished by the Holy Virgin herself, who directed the elaborate and beautiful ornaments of the pillars and cornices still to be seen there.

The knight's costume was half civil, half military; of one sombre colour, without blazon or distinction—a circumstance unusual at the period: the expression of his face was grave and melancholy: he was somewhat bronzed with the sun, otherwise his complexion was fair, and his blue eyes were full of character and softness.

Even the appearance of the lady does not cause the knight to cease his prayers, and she remains looking upon him, half-divided between her duty and a sudden feeling of admiration and involuntary esteem for which she is unable to account, except by considering him as an apparition sent from heaven,—when a violent noise without, accompanied by the cries of hunters and their horns, effectually put a stop to the religious occupation of all within the church. All hurry out, and, amongst the rest—her orisons over—is the young lady, attended by her page. She had scarcely left the door, and was hastening to the neighbouring hostelry, when she saw before her, at a very short distance, surrounded by a furious pack of hounds, who, bleeding and wounded, were yet attacking their enemy boldly, an enormous wild boar, evidently rendered savage by his sufferings. The beast rushed along, his white tusks gleaming fearfully, and his hot breath already reaching the terrified girl and her feeble protector. Marie turned back, and darted towards the open door of the church, and in another moment might have been out of the reach of the infuriated animal; but a stone imprudently aimed at the boar by a peasant from the wood, sent him, foaming, exactly in the direction she had taken. She saw there was no escape—made a bound, and fell senseless on the threshold of the church: the boar had just reached the spot, and one stroke of his terrible tusk had sufficed to crush the fragile being, who lay extended before him, when a young peasant, with a swiftness almost supernatural, interposed between her and her fate; and, with an axe with which he was armed, discharged so well-directed a blow on the head of the brute, that he extended him dead at his feet.

Certainly, never had succour arrived at a time of more need; and it was impossible to deny that the young man's intrepidity had saved the lady's life: nevertheless, when the crowd collected around them, as Marie, assisted by her terrified page, began to recover consciousness, and her deliverer stood, his axe yet reeking with the blood of the animal from whom he had saved her, and whose carcase lay recking, the skull cleft in two,—it was with anything but applause or commendation that this act of self-devotion was hailed by all present.

As they cast their eyes on the coarse and ragged garb of the young man, those nearest observed on the breast a certain piece of red cloth, cut in the form of a goose's foot: a cry of horror and contempt, mingled with surprise, accompanied this discovery, and the words—"It is a Cagot! it is a Cagot!" rang through the assembly, and was repeated by a hundred voices in different intonations of horror. * * *

The object of this popular disgust was a tall, handsome, powerfully-built youth, fair, and of fine complexion: he stood in an easy attitude, in which the majesty of recent action was conspicuous: his colour was heightened, and his bright eyes flashed with satisfaction at the deed he had performed; but when he heard the rage of the people rising, and the fatal and detested name of Cagot sounded in his ears, a far different feeling—the consciousness of his utter degradation, which he had for a moment forgotten, returned to him with added force. Suddenly recalled from his illusion, his head sunk mournfully on his bosom, and he seemed at once to retire within himself, gathering all the courage and patience of which he was capable to enable him to endure the outrages and violence which he knew but too well awaited him.