As is usual in those cases, disputes run high respecting the original founder and the destination of this building, unique in its kind. Some insist that it is a tomb erected to Claudia Varenilla, by her husband, Marcus Censor Pavius; others see in it a pagan temple, transformed into a place of early Christian worship; others, the first cathedral of Poitiers.
It has undergone numerous changes of destination, at all events, having been used as a church, as a bell-foundry, as a depôt for economical soup, and as a manufactory. The Society of Antiquaries have at length gained possession of it, and it is to be hoped that it will know no further vicissitudes.
In this temple may be seen numerous treasures of Gaulic and Roman and Middle-age art of great interest: sepulchral stones inscribed with the names of Claudia Varenilla, Sabinus, and Lepida; Roman altars, military boundary-stones, amphoræ, vases, capitals, and pottery, all found in the neighbourhood of Poitiers: a good deal of beautiful carving from the destroyed castle of Bonnivet, fine specimens of the Renaissance, and numerous relics of ruined churches.
Among the treasures is a block of stone, said to be one on which the Maid of Orleans rested her foot when she mounted her horse, in full armour, to accompany Charles VII. on his coronation. A piece of stone from the old church of St. Hilaire is exhibited, which, when struck, emits so horrible an effluvia as to render it unapproachable. The church is said to have been built of this stone; if so, the workmen must have been considerably annoyed while constructing it, and deserved indulgences for their perseverance in continuing their labour. It would appear that this is a calcareous[4] rock, which has been described by several French naturalists who have met with it in the Pyrenees, at the Brèche de Roland, and on the height of Mont Perdu, and whose odour of sulphureous hydrogen is supposed to arise from the animal matter enclosed in its recesses. Some marbles have the same exhalation, yet are employed in furniture: as the smell does not appear to be offensive unless the stone is struck with some force, it may, perhaps, be unobserved; but I could scarcely regret that the church of St. Hilaire was almost totally destroyed when I heard that such disagreeable materials entered into its construction. No doubt the presence of the arch-enemy was considered as the cause of this singular effluvia in early times, and the monks turned it, as they did all accidents, to good account.
The Grand Gueule, a horrible beast, discovered in the caverns of the abbey of Sainte Croix, who had eaten up several nuns, was probably found out by the smell of sulphur which pervaded his den, and brought forth to punishment by the holy men who were guided to his retreat by this means,—their instrument being a criminal condemned to death, who combated the beast, and killed him. The dragon was usually carried in processions, following the precious relic of a piece of the true cross which had vanquished him; and his effigy in wood, with the inscription, Gargot fecit, 1677, exists still, though it has ceased to be used.
Ste. Radagonde, Poitiers.
[CHAPTER VII.]
notre dame—the keys—the miracle—procession—st. radegonde—tomb of the saint—foot-print—little loubette—the count outwitted—the cordelier—late justice—the templars.