Through a fringe of drooping vine that half hid the picture, she could see the garden, empty and dimly moonlit, with the marble benches faintly white. She hurried through, pushed a trailing vine aside, then dropped it and shrank back under the trellis.

The garden was empty. But across it, just at the entrance of the wood path, she saw a man and a woman. At first she took the two figures for one, they were standing so closely embraced. She could not see their faces, only the two dark figures standing there like one. They stood still a long time. They might have been lovers in a picture, only you could not paint pictures of darkly clothed, ungraceful, shapeless people. Finally they moved, the man turning suddenly, slipping an arm higher around the woman's shoulders, and putting his face down to hers.

Then he drew her into the wood path, and they passed down it out of sight. Judith did not know who the woman was, but the man was Colonel Everard. And they had kissed each other.

Now they were gone. Judith drew a deep breath of relief and stepped out into the enclosure, pacing across it with slow steps, possessing it for her own and dismissing alien presences. There was a high-backed marble erection between the benches, which looked like a memorial to the dear departed, but was designed for a chair. She seated herself there deliberately, leaning back, at ease somehow in the unfriendly depths of it, a slender, uncompromising creature, like a young princess sitting in judgment on her throne.

They had kissed each other. She knew they did things like this, but now she had seen it, which was different, and not very pleasant. But they were all so old. Did it really matter whether they kissed each other or not?

"Stupid old things," said Colonel Everard's only authorized critic, "I don't care what they do."

Here in the quiet of the garden you were free to think about more interesting things than the Everards or even fairy princes.

"Stupid," repeated Judith absently, and forgot the Everards. The moon, far away but very clear, shone down at her in an unwinking, concentrated way, as if it were shining into the Colonel's garden and nowhere else, and at nobody but Judith. She did not look disconcerted by the attention, but stared back at it with eyes that were not sleepy now, but very big and bright—wondering, but not afraid.

On still nights like this you could just hear the church clock strike from the garden, but you could not count all the strokes. Judith listened for the sound. It was early, and out here, in the cool, still air, it felt early, though the time had passed so slowly in the Colonel's sleepy rooms. She could hear no music from the house. They would soon begin to put out the bridge tables. There was always a chance that they would need her to complete a table, but if they did not, the Colonel's car was to take her home at nine.

And the Colonel's youngest guest had further plans for the evening.