Venetian glass! The hues of sunset light,
The gold of starlight in a winter night,
Heaven joined with earth, and faeryland was wrought
In these the crystal Palaces of Thought.
III
THE PICTURE IN THE WINDOW
HOW ALAN OF THE ABBEY FARMS LEARNED TO MAKE STAINED GLASS
Alan sat kicking his heels on the old Roman wall which was the most solid part of the half-built cathedral. He had been born and brought up on a farm not far away, and had never seen a town or a shop, although he was nearly thirteen years old. Around the great house in which the monks of the abbey lived there were a few houses of a low and humble sort, and the farm-houses thereabouts were comfortable; but there was no town in the neighborhood. The monks had come there in the beginning because it was a lonely place which no one wanted, and because they could have for the asking a great deal of land which did not seem to be good for anything. After they had settled there they proceeded to drain the marshes, fell the woods in prudent moderation, plant orchards and raise cattle and sheep and poultry.
Alan’s father was one of the farmers who held land under the Abbey, as his father and grandfather had done before him. He paid his rent out of the wool from his flocks, for very soon the sheep had increased far beyond the ability of the monks to look after them. Sometimes, when a new wall was to be built or an old one repaired, he lent a hand with the work, for he was a shrewd and honest builder of common masonry and a good carpenter as well. The cathedral had been roofed in so that services could be held there, but there was only one small chapel, and the towers were not even begun. All that would have to be done when money came to hand, and what with the King’s wars in Normandy, and against the Scots, his expedition to Ireland, and his difficulties with his own barons, the building trade in that part of England was a poor one.
Alan wondered, as he tilted his chin back to look up at the strong and graceful arches of the windows near by, whether he should ever see any more of it built. In the choir there were bits of stone carving which he always liked to look at, but there were only a few statues, and no glass windows. Brother Basil, who had traveled in France and Italy and had taught Alan something of drawing, said that in the cities where he had been, there were marvelous cathedrals with splendid carved towers and windows like jeweled flowers or imprisoned flame, but no such glories were to be found in England at that time.
The boy looked beyond the gray wall at the gold and ruby and violet of the sunset clouds behind the lace-work of the bare elms, and wondered if the cathedral windows were as beautiful as that. He had an idea that they might be like the colored pictures in an old book which Brother Basil had brought from Rome, which he said had been made still further east in Byzantium—the city which we know as Constantinople.
In the arched doorway which led from the garden into the orchard some one was standing—a small old man, bent and tired-looking, with a pack on his shoulder. Alan slid off the stone ledge and ran down the path. The old man had taken off his cap and was rubbing his forehead wearily. His eyes were big and dark, his hair and beard were dark and fine, his face was lined with delicate wrinkles, and he did not look in the least like the people of the village. His voice was soft and pleasant, and though he spoke English, he did not pronounce it like the village people, or like the monks.
“This—is the cathedral?” he said in a disappointed way, as if he had expected something quite different.