Then the two men tilted their chairs against the little porch in front of Peter Giles’ log cabin, and puffed their pipes in silence. The panorama spread out before them showed misty and dreamy among the delicate spiral wreaths of smoke. But was that gossamer-like illusion, lying upon the far horizon, the magic of nicotian, or the vague presence of distant heights? As ridge after ridge came down from the sky in ever-graduating shades of intenser blue, Peter Giles might have told you that this parallel system of enchantment was only “the mountings”; that here was Foxy, and there was Big Injun, and still beyond was another, which he had “hearn tell ran spang up into Virginny.” The sky that bent to clasp this kindred blue was of varying moods. Floods of sunshine submerged Chilhowee in liquid gold, and revealed that dainty outline limned upon the northern horizon; but over the Great Smoky mountains, clouds had gathered and a gigantic rainbow bridged the valley. . . . . . . . . Simon Burney did not speak for a moment. . . . “That’s a likely gal o’ yourn,” he drawled, with an odd constraint in his voice,—“a likely gal, that Clarsie.” . . .
“Yes,” Peter Giles at length replied, “Clarsie air a likely enough gal. But she air mightily sot ter havin’ her own way. An’ ef ’t ain’t give to her peaceable-like, she jes’ takes it, whether or no.”
This statement, made by one presumably informed on the subject, might have damped the ardor of many a suitor,—for the monstrous truth was dawning on Peter Giles’s mind that suitor was the position to which this slow elderly widower aspired. But Simon Burney, with that odd, all-pervading constraint still prominently apparent, mildly observed, “Waal, ez much ez I hev seen of her goin’s-on, it ’pears ter me az her way air a mighty good way. An’ it ain’t comical that she likes it.” . . . . . . . The song grew momentarily more distinct: among the leaves there were fugitive glimpses of blue and white, and at last Clarsie appeared, walking lightly along the log, clad in her checked homespun dress, and with a pail upon her head.
She was a tall lithe girl, with that delicately transparent complexion often seen among the women of these mountains. Her lustreless black hair lay along her forehead without a ripple or a wave; there was something in the expression of her large eyes that suggested those of a deer,—something free, untamable, and yet gentle. “’Tain’t no wonder ter me ez Clarsie is all tuk up with the wild things, an’ critters ginerally,” her mother was wont to say; “she sorter looks like ’em, I’m a-thinkin’.”
As she came in sight there was a renewal of that odd constraint in Simon Burney’s face and manner, and he rose abruptly. “Waal,” he said, hastily, going to his horse, a raw-boned sorrel, hitched to the fence, “it’s about time I war a-startin’ home, I reckons.”
He nodded to his host, who silently nodded in return, and the old horse jogged off with him down the road, as Clarsie entered the house and placed the pail upon a shelf.
. . . . . . . . .
The breeze freshened, after the sun went down, . . . there were stars in the night besides those known to astronomers; the stellular fire-flies gemmed the black shadows with a fluctuating brilliancy; they circled in and out of the porch, and touched the leaves above Clarsie’s head with quivering points of light. A steadier and an intenser gleam was advancing along the road, and the sound of languid footsteps came with it; the aroma of tobacco graced the atmosphere, and a tall figure walked up to the gate.
“Come in, come in,” said Peter Giles, rising, and tendering the guest a chair. “Ye air Tom Pratt, ez well ez I kin make out by this light. Waal, Tom, we hain’t furgot ye sence ye done been hyar.”
. . . . . . . .