"Mamma, mamma," she wailed, "come and hold me tight, very tight! I have had a bad dream. I am frightened. M. René Dax touched all my toys, all my darling, tiny saucepans and kettles, all my dolls and Teddy-bears with his little walking-cane. And it was terrifying. They all came alive and chased me. Hold me tight. I am so frightened. They rushed along. They chased me and chased me. They panted. Their mouths were open. I could see their red tongues. And they yelped as the little pet dogs do in the public gardens when they try to catch the sparrows. I called and called to you, but you were not there. You did not come. I tried very hard to run away, but my feet stuck to the floor. They were so very heavy I could not lift them. It is not true? Tell me it is not true. He cannot touch all my toys with his little cane and make them come alive? I think I shall be afraid ever to play with them any more. They were so dreadfully unkind. Tell me it is not true!"
"No, no, my angel," Gabrielle declared, soothingly. "It is not true, not in the very least true. It is only a silly dream. All the poor toys are quite good. You will find them obedient and loving, asking ever so prettily to be played with again to-morrow morning."
She took the slender, soft, warm body up in her arms—it was sweet with the flower-like sweetness of perfect cleanliness and health—and held it close against her. And for the moment perplexities, far-reaching speculations and questionings were obliterated in a passion of tenderness for this innocent life, this innocent body, which was the fruit of her own life and her own body. All else fell away from her, leaving her motherhood triumphant and supreme.
The child, making good the opportunity, began to wheedle and coax.
"I think it is really very cold in my bed," she said. "I am sure it would be far warmer in yours. And I may dream M. Dax came back and touched my toys with his little walking-cane and made them naughty if I remain here by myself. Do not you think it would be rather dangerous to leave me here alone? I might wake grandmamma if I were to be terrified again and to scream. I like your big bed so very much best."
The consequence of all of which was that Gabrielle St. Leger said her rosary that night fingering the beads with one hand while the other clasped the sleeping child, whose pretty head lay on her bosom. Her mind grew calm. The fortress of Faith stood firm again, as she thankfully believed, upon its foundation of rock. She recovered her justness of attitude toward departed husband and absent lover. But she determined to reduce her intercourse with M. René Dax to a minimum, since the tricks he played with his little walking-cane seemed liable to be of so revolutionary and disintegrating a character.
CHAPTER IV
CLIMBING THE LADDER
The snow had been cleared away from the drive and carriage sweep, but still lay in thick billowy masses upon the branches of the fir and pine trees and upon the banks of laurel and rhododendron below. At sunset the sky had cleared somewhat, and a scarlet glow touched the under side of the vast perspective of pale, folded cloud, and blazed on the upper south westward-facing windows of the Tower House as with a dazzle of fierce flame. Joseph Challoner, however, was unaware of these rather superb impressionist effects as, with his heavy, lunging step, he came out of the house on to the drive. The drawing-room had been hot, and he had gone through a somewhat emotional interview. A man at once hard and sentimental, just now sentiment was, so to speak, on the top. His upright face and head were decidedly flushed. He felt warm. He also felt excited, perceiving perspectives quite other than those presented by the folded clouds and the afterglow.
Usually Joseph Challoner affected a country-gentleman style of dress—tweeds of British manufacture, noted for their wear and wet-resisting qualities, symbolic of those sturdy, manly, no-nonsense sort of virtues, of which he reckoned himself so conspicuous an exponent, and which have, as we all know, gone to make England what she is. But to-day out of respect for his late client, Montagu Smyrthwaite, he had put on garments of ceremony, black braid-edged coat and waistcoat, pepper-and-salt-mixture overcoat with black-velvet collar, striped dove-gray and black trousers—which had served at a recent local wedding—and top hat. This costume tended to make an awkwardness of gait and action which belonged to him the more observable. Over six feet in height, he was commonly described by his admirers—mostly women—as "a splendid-looking man." Others, doubtless envious of his success with the fair sex and of his inches, compared him, with his straight, thick, up-and-down figure, as broad across the loins as at the shoulders, his large paw-like hands and feet and flattened, slightly Mongolian caste of countenance, to a colossal infant. His opinion of his own appearance, concerning which he was in a chronic state of anxiety, fluctuated between these two extremes, with hopeful leanings toward the former. At the present moment, for private reasons, he hoped fervently that he was "a splendid-looking man."