She went red, and then white almost as her white nightdress and the white pillows behind her. Laid the mirror hastily down, and held her face in both hands as—as Carteret had held it last night, at the moment of parting, when he had kissed not her lips but her forehead. Yet very differently, since she now held it with strained, clinging fingers, which hurt, making marks upon the flesh.—For could it be that—the other kind of love, such as men bear the woman of their choice, which dictated Carteret's unfailing goodness to her—the love that he had bitterly and almost roughly defended when she praised the love of brother and sister as dearest, purest, and therefore above all best?

Was it conceivable this hero of a hundred almost fabulous adventures, of hair-breath escapes, and cunningly defied dangers in Oriental, semi-barbarous, wholly gorgeous, camps, Courts and cities, this philosopher of gently humorous equanimity, who appeared to weigh all things in an equal balance and whom she had regarded as belonging to an age and order superior to her own, had set his affections upon her singling her out from among all possible others? That he wanted her for his own, wanted her exclusively and as his inseparable companion, the object of—

A sentence from the English marriage service flashed across her mind.—"With my body I thee worship," it ran, "and with all my worldly goods I thee endow."

"With my body I thee worship"—He, her father's elect and beloved friend, in whom she had always so beautifully trusted, who had never failed her, the dear man with the blue eyes—and she, Damaris? Her womanhood, revealed to itself, at once shrank back bewildered, panic-stricken, and, passion-stricken, called to her aloud.

For here Carteret's grace of bearing and of person, his clean health, physical distinction and charm, arose and confronted her. The visible, tangible attributes of the man—as man—presented themselves in fine relief, delighting her, stirring her heretofore dormant senses, begetting in her needs and desires undreamed of until now, and, even now, in substance incomprehensible. She was enchanted, fevered, triumphant; and then—also incomprehensibly—ashamed.

As the minutes passed, though the triumph continued to subsist, the shame subsisted also, so that the two jostled one another striving for the mastery. Damaris took her hands from her face, again clasped them about her drawn-up knees, and sat, looking straight in front of her with sombre, meditative eyes. To use a phrase of her childhood, she was busy with her "thinkings"; her will consciously hailing emotion to the judgment-seat of intelligence for examination and for sentence.

If this was what people commonly understand when they speak of love, if this was the love concerning which novelists write and poets sing—this riot of the blood and heady rapture, this conflict of shame and triumph in which the animal part of one has so loud a word to say—she didn't like it. It was upsetting, to the confines of what she supposed drunkenness must be. It spoilt things heretofore exquisite, by giving them too high a colour, too violent a flavour. No—she didn't like it. Neither did she like herself in relation to it—like this unknown, storm-swept Damaris. Nor—for he, alas! couldn't escape inclusion—this new, unfamiliar presentment of the man with the blue eyes. Yet—and here was a puzzle difficult of solution—even while this new presentment of him, and conception of his sentiment towards her, pulled him down from his accustomed pedestal in her regard, it erected for him another pedestal, more richly sculptured and of more costly material—since had not his manifold achievements, the whole fine legend as well as the whole physical perfection of him, manifested themselves to, and worked upon her as never before?—Did this thing, love, then, as between man and woman, spring from the power of beauty while soiling and lowering beauty—bestow on it an hour of extravagant effulgence, of royal blossoming, only to degrade it in the end?—The puzzle is old as humanity, old, one may say, as sex. Little wonder if Damaris, sitting up in her maidenly bedchamber, in the unsullied brightness of the early morning hour, failed to find any satisfactory answer to it.

Her thoughts ranged out to the other members of her little local court—to Peregrine Ditton and Harry Ellice, to Marshall Wace. Had they personal experience of this disquieting matter? Was it conceivable the boys' silly rivalries and jealousies concerning her took their rise in this? Did it inspire the fervour of Marshall Wace's singing, his flattering dependence on her sympathy?—Suspicion widened. Everywhere she seemed to find hint and suggestion of this—no, she wouldn't too distinctly define it. Let it remain nameless.—Everywhere, except in respect of her father and of her brother. There she could spend her heart in peace. She sighed with a sweetness of relief, unclasping her hands, raising her fixed, bowed head.

The hotel, meanwhile, was sensibly in act of coming awake. Doors opened, voices called. From the other side of the corridor sounded poor little Mrs. Titherage's hacking cough, increasing to a convulsive struggle before, the fit at last passing off, it sunk into temporary quiescence. André, the stout, middle-aged valet de chambre, hummed snatches of gay melody as he rubbed and polished the parquet flooring without. These noises, whether cheerful or the contrary, were at least ordinary enough. By degrees they gained Damaris' ear, drawing her mind from speculation regarding the nature, origin, prevalence and ethics of love. Soon Pauline, the chamber-maid, would bring her breakfast-tray, coffee and rolls, those pale wafer-like pats of butter which taste so good, and thin squares of beetroot sugar which are never half as sweet as one would like. Would bring hot water and her bath, too, and pay her some nicely turned little compliment as to the becoming effect of her night's sleep.—Everything would pick itself up, in short, and go on, naturally and comfortably just as before.

Before what?