CHAPTER XXXV
De Courcy Smyth was not drunk, but he had been drinking—persistently nipping, as his custom was in times of mental excitement, in the fallacious hope of keeping up courage and steadying irritable nerves. The series of moods usually resultant on such recourse to spirituous liquors, followed one another with clock-work regularity. He was alternately hysterically elated, preternaturally moral, offensively quarrelsome, maudlin to the point of tears. The first matinee of his long-promised play had prospered but very ill, notwithstanding large advertisement and free list. The second had prospered even worse. Mercifully disposed persons, slipping out between the acts, had been careful not to return. Less amiably disposed ones had remained to titter or hiss. Failure had been written in capital letters across the whole performance—and deservedly, in the estimation of every one save the unhappy author himself. The play had perished in the very act of birth.
But of this tragic termination to so many extravagant hopes Dominic Iglesias was still ignorant, as he entered the dismantled sitting-room at Cedar Lodge that same night a little after half-past ten o'clock. He had dined in the old house in Holland Street; served by Frederick, the German-Swiss valet, who, some weeks previously, hearing of his intended departure, had announced his intention of "bettering himself," had given Mrs. Porcher warning, and, in moving terms and three languages, implored employment of Iglesias, declaring that the other gentlemen resident at Cedar Lodge were "no class," their clothes utterly unworthy of his powers of brushing and folding.
Iglesias stayed on in Holland Street until late, the charm and gentleness of old associations, the sight of familiar objects, the gladness of restored friendship with George Lovegrove working upon him to thankfulness. He was tranquil in spirit, serene with the calm twilight serenity of the strong who have learned the secret of detachment, and, who, while welcoming all glad and gracious occurrences, have schooled themselves to resignation, and, in the affairs of this world, do neither greatly fear nor greatly hope. And it was in this spirit he had made his way back to Cedar Lodge and entered the square panelled sitting-room. But, the door closed, he paused, aware of some sinister influence, some unknown yet repulsive presence. The room was nearly dark, the gas being lowered to a pin-point on either side the mantelpiece. Dominic moved across to turn it up, and in so doing stumbled over an unexpected obstacle. De Courcy Smith, who had been dozing uneasily in the one remaining armchair, sat upright with an oath.
"What are you at, you swine!" he shouted. Then as the light shone forth he made an effort to recover himself.
"It's hardly necessary to announce your advent by kicking me, Mr. Iglesias," he said thickly, and without attempting to rise from his seat. "Not but that there is an appropriateness in that graceful form of introduction. Only a kick from the benevolent patron, who professed himself so charitably disposed towards me, was required to make up the sum of outrage which has been my portion to-day.—Have you seen the theatrical items in the evening papers?" With trembling hands he spread out a newspaper upon his knees. "See the way that dirty reptile, Percy Gerrard, who succeeded me upon The Daily Bulletin, has chopped me and my play to mincemeat, cut bits of live flesh out of me and fried them in filth, and washed down my wounds with the vitriol of hypocritical compassion and good advice? That is the style of recognition a really first-class work of art, fit to rank with the classics, with Wycherley, and Congreve, and Sheridan, or Lytton—for there are qualities of all these very dissimilar masters in my writing—gets from the present-day press. As I have told you all along, the critics and playwrights hate me because they fear me. I have never spared them. I have exposed them and their ignorance, and want of scholarship, in print. They know I spoke the truth. Their hatred is witness to my veracity. They have been nursing their venom for years. Now with one consent they pour it forth. It is a vile plot and conspiracy. They were sworn to swamp me, so they formed a ring. They did not care what they spent so long as they succeeded in crushing me. Every one has been bought, miserably, scandalously bought. This is the only conceivable explanation of the reception my play has met with. They got at the members of my company. My actors played better at first, better at rehearsal. Yesterday and to-day they have played like a row of wooden ninepins, of straw-stuffed scarecrows, of rot-stricken idiots! They missed their cues, and forgot their lines, or pretended to do so; and then had the infernal impertinence to giggle and gag, blast them! I heard them. I could have screamed. I tried to stop them; and the stage-manager swore at me in the wings, and the scene-shifters laughed. It was a hideous nightmare. The audience laughed—the sound of it is in my ears now, and it tortures me, for it was not natural laughter. It was not spontaneous—how could it be so? It was simply part of this iniquitous conspiracy to ruin me. It was hired mockery, bought and paid for, the mockery of subsidised traitors, liars, imbeciles, the inhuman mockery of grinning apes!"
He crushed the newspaper together with both hands, flung it across the room, and broke into hysterical weeping.
"For my play is a masterpiece," he wailed. "It is a work of genius. No other man living could have written it. Yet it is damned by a brainless public and vindictive press, while I know and they know—they must know, the fact is self-evident—that it is great, nothing less than great."
During this harangue Dominic Iglesias stood immovable, facing the speaker, but looking down, not at him, rigid in attitude, silent. Any attempt to stem the torrent of the wretched man's speech would have been futile. Dominic judged it kindest just to wait, letting passion tear him till, by force of its own violence, it had worn itself out. Then, but not till them, it might be helpful to intervene. Still the exhibition was a very painful one, putting a heavy strain upon the spectator. For be a fellow creature never so displeasing in nature and in habit, never so cankered by vanity and self-love, it cannot be otherwise than hideous to see him upon the rack. And that de Courcy Smyth was very actually upon the rack—a rack well deserved, may be, and of his own constructing, but which wrenched his every joint to the agony of dislocation nevertheless—there could be no manner of doubt. Coming as conclusion to the long day, to the peaceful evening—the thought of the Lady of the Windswept Dust, moreover, and her fortunes so eminently and presently just now in the balance, in his mind—the whole situation was horrible to Dominic Iglesias.