"I am not in evening dress."

"Nor am I," Dominic answered, with admirable seriousness. There was something pitiful to him in the conflict, obviously going forward in the other's mind, between hunger and reluctance to incur an obligation. He cut it short with gentle authority. "There is a vacant table in the corner where we can talk free from interruption. Let us go in and secure it."

At the beginning of the meal the conversation was intermittent, the burden of supporting it lying with Mr. Iglesias. But, as course followed course, hot and succulent, while the chianti at once steadied his circulation and stimulated his brain, de Courcy Smyth became talkative, not to say garrulous. Finally he began to assert himself, to swagger, thereby laying bare the waste places of his own nature.

"You may think I was hard on Farge and Worthington just now, Mr. Iglesias," he said. "I own they disgust me; not only in themselves, but as examples of certain modern tendencies which are choking the life out of me and such men as me. You business people are on the up grade just now, and you know it. Whoever goes under, you are safe to do yourselves most uncommonly well. I don't mean anything personal, of course. I am just stating a self-evident fact. Commerce is in the air—you all reek of success. And so even shopwalkers, like Worthington, and that thrice odious puppy Farge, grow sleek, and venture to spread themselves in the presence of their betters—in the presence of a scholar and a gentleman, who is well connected and has received a classical education, like myself."

Smyth paused, turning sideways to the table, leaning his elbow on it, crossing his legs and staring gloomily down the long room.

"But what do they know or care about scholarship?" he continued. "What they do know is that the spirit of this unspeakably vulgar age is with them and their miserable huckstering. They know that well enough and act upon it, though they are too illiterate to put it into words—know that trade is in process of exploding learning, of exploiting literature and art to its own low purposes, in process of scaling Olympus, in short, and ignominiously chucking out the gods."

Dominic Iglesias had listened to this astonishing tirade in silence. The man was evidently suffering from feelings of bitter injury, also he was his—Iglesias'—guest. Both pity and hospitality engaged him to endurance. But there are limits. And at this point professional dignity and a lingering loyalty towards the house of Barking Brothers & Barking enjoined protest.

"No doubt we live in times of commerce, rather than in those of chivalry," he remarked. "Still, I venture to think your condemnation is too sweeping. One should discriminate surely between trade and finance."

"Only as one discriminates between a little dog and a big one. The little dog is the easier to kick. I can't get at the Rothschilds and Rockefellers; and so I go for the Farges and Worthingtons," Smyth answered. "In principle I am right. Trade, commerce, finance, juggle with the names as you like, it all comes back to the same thing in the end, namely, the murder of intellect by money. Comes back to the worship of Mammon, chosen ruler of this contemptible fin de siècle, and safe to be even more tyrannously the ruler of the coming century. What hope, I ask you, is left for us poor devils of literary men? None, absolutely none. Just in proportion as we honour our calling and refuse to prostitute our talents we are at a discount. The powers that be have no earthly use for us. We have not the ghost of a chance."

He altered his position, looking quickly and nervously at his host.