Then she laid her hand on his arm and pointed London-wards.
"Now, come along, dear man, for I have got to pull myself together somehow. Let us walk. Take me somewhere I've never been before, somewhere quiet—only let us walk."
Therefore, desiring to meet her wishes, a little way up the broad straggling street Dominic Iglesias turned off to the left into the narrow old-world lanes and alleys which lie between the river frontage and King Street West. The district is a singular one, suggestive of some sleepy little dead-alive seaport town rather than of London. Quaint water-ways, crossed by foot-bridges, burrow in between small low cottages and warehouses. Some of these have overhanging upper stories to them, are half-timbered or yellow-washed. Some are built wholly of wood. There is an all-pervading odour of tar and hempen rope. Small industries abound, though without any self-advertisement of plate-glass shop fronts. Chimney-sweeps and cobblers give notice of their presence by swinging signs. Newsvendors make irruption of flaring boards upon the pavement. Little ground-floor windows exhibit attenuated stores of tinware, string, and sweets. Modest tobacconists mount the image of a black boy scantily clothed or of a Highlander in the fullest of tartans above their doors. Cats prowl along walls and sparrows rise in flights from off the ill-paved roadways. But of human occupants there appear to be but few, and those with an unusual stamp of individuality upon them; figures a trifle strange and obsolete—as of persons by choice hidden away, voluntarily self-removed from the levelling rush and grind of the monster city. The small heavy-browed houses are very secretive, seeming to shelter fallen fortunes, obscure and furtive sins, sorrows which resist alleviation and inquiry. Seen, as to-day, under the low-hanging sky big with rain, in the diffused afternoon light, the place and its inhabitants conveyed an impression low-toned, yet distinct, finished in detail, rich though mournful in effect as some eighteenth-century Dutch picture. A linnet twittered, flitting from perch to perch of its cage at an open window. A boy, clad in an old mouse-brown corduroy coat, passed slowly, crying "Sweet lavender" shrilly yet in a plaintive cadence. Occasionally the siren of a steam-tug tore the air with a long-drawn wavering scream. Otherwise all was very silent.
And, as they threaded their way through the maze of crooked streets, Dominic Iglesias and Poppy St. John were silent also; but with the silence of intimacy and good faith, rather than with that of embarrassment or indifference. Each was very fully aware of the presence of the other. So fully aware, indeed, that, for the moment, speech seemed superfluous as a vehicle for interchange of thought. Then, as they emerged on to the open gravelled space of the Upper Mall with its low red-brick wall and stately elm trees, Poppy held out her hand to Mr. Iglesias.
"You are beautifully clever," she said. "You give me just what I wanted. I'm as steady as old Time now. But what a queer rabbit-warren of a place it is! How did you find your way?"
"I came here often, in the past," he said, "at a time when I was suffering grave anxiety. I could not leave home, after my office work was over, for more than an hour together. And in the dusk or at night, with its twinkling and evasive lights, the place used to please me, leading as it does to the river bank, the mystery of the ebbing and flowing tide, the ceaseless effort seaward of the stream, and those low-lying spaces on the Surrey side. It was the nearest bit of nature, unharnessed, irresponsible nature, which I could get to; and it symbolised emancipation from monotonous labour and everlasting bricks and mortar. I could watch the dying of the sunset, and the outcoming of the stars, the tossing of the pale willows—there on the eyot—in the windy dusk, undisturbed. And so I have come to entertain a great fondness for it, since it tranquillised me and helped me to see life calmly and to bring myself in line with fact, to endure and to forgive."
While he spoke Poppy's hand continued to rest passively in his.
"You are a poet," she said, "and you are very good."
Dominic Iglesias smiled and shook his head.
"No," he answered. "I am neither a poet nor am I very good. Far from that. I only tried to keep faith with the one clear duty which I saw."