"Ah! one knows nothing for certain when one is frightened," she said. She moved closer to him, holding out her hand. "Here," she continued, "you are a little too shadowy, too unsubstantial, in this light, Dick. I would rather make more sure of your presence."
Richard Calmady laughed very gently. Then the two stood silent, looking out over the dim valley, hand in hand. The scent of the gardens was about them. Moving lights showed through the many windows of the great house. The waterfowl called sleepily. The churring of the night-hawks was continuous, soothing as the hum of a spinning-wheel. Somewhere, away in the Warren, a fox barked. In the eastern sky, the young moon began to climb above the ragged edge of the firs. When they spoke again it was very simply, in broken sentences, as children speak. The poetry of their relation to one another and the scene about them were too full of meaning, too lovely, to call for polish of rhetoric, or pointing by epigram.
"Tell me," Katherine said, "were you satisfied? Did I entertain your people prettily?"
"Prettily? You entertained them as they had never been entertained before—like a queen—and they knew it. But why did you stay out here alone?"
"To think—and to look at Brockhurst."
"Yes, it's worth looking at now," he said. "It was like a body wanting a soul till you came."
"But you loved it?" Katherine reasoned.
"Oh yes! because I believed the soul would come some day. Brockhurst, and the horses, and the books, all helped to make the time pass while I was waiting."
"Waiting for what?"
"Why for you, of course, you dear, silly sweet. Haven't I always been waiting for you—just precisely and wholly you, nothing more or less—all through my life, all through all conceivable and inconceivable lives, since before the world began?"