Mr. Quayle pursed up his small mouth and gently shrugged his shoulders.
"It is a delicate subject on which to offer an opinion," he said. "I debated it freely in the privacy of my inner consciousness at the time, I assure you. If Lady Calmady had lighted upon the right, the uniquely right, woman—perhaps—yes. But to shore up a twenty-foot, stone wall with a wisp of straw,—my dear doctor, does that proceeding approve itself to your common sense? And, as is a wisp of straw to such a wall, so was my poor, little sister,—it's hardly flattering to my family pride to admit it,—but thus indeed was she, and no otherwise, to Dickie Calmady."
Whereupon Honoria glanced up gratefully at the speaker, for even yet her conscience pricked her concerning the part she had played in respect of that broken engagement. While John Knott, observant of that upward glance, was once again struck by her manifest sincerity, and the gallant grace of her, heightened by those workmanlike and mud-bespattered garments. And, being so struck, he was once again tempted by, and once again yielded himself to, the pleasures of provocation.
"Marry him yourself, Miss St. Quentin," he growled, a touch of earnest behind his raillery, "marry him yourself and so set the rest of us free of the whole pother. I'd back you to handle him or any fellow living, with mighty great success, if you'd the mind to!"
For a moment it seemed open to question whether that very fair fish might not make short work of angler as well as of bait. But Honoria relented, refusing provocation. And this not wholly in mercy to the speaker, but because it offered her an opportunity of reading Mr. Quayle a, perhaps useful, lesson. Her serious eyes narrowed, and her upper lip shortened into a delightful smile.
"Hopeless, Dr. Knott!" she answered. "To begin with he'll never ask me, since we like each other very royally ill. And to end with—" she carefully avoided sight of Mr. Quayle—"I—you see—I'm not what you call a marrying man."
CHAPTER V
EXIT CAMP
About twenty minutes later the young lady, still booted and spurred, opened the door which leads from the Chapel-Room into Lady Calmady's bedchamber. As she did so a gentle warmth met her, along with a sweetness of flowers. Within, the melancholy of the bleak twilight was mitigated by the soft brightness of a pink-shaded lamp, and a fitful flickering of firelight. This last, playing upon the blue-and-white, Dutch tiling of the hearth and chimney-space conferred a quaint effect of activity upon the actors in the biblical scenes thereon depicted. The patriarch Abraham visibly flourished his two-inch sword above the prostrate form of hapless Isaac. The elders pranced, unblushingly, in pursuit of the chaste Susanna. While poor little Tobit, fish in hand, clung anxiously to the flying draperies of his long-legged, and all-too-peripatetic, guardian angel. Such profane vivacity, on the part of persons usually accounted sacred, offered marked an almost cynical contrast to the extreme quiet otherwise obtaining, accentuated the absoluteness, deepened the depth, of it. For nothing stirred within the length and breadth of the room, nor did any smallest sound disturb the prevailing silence. At these southward-facing casements no harsh wind shrilled. The embroidered curtains of the state-bed hung in stiff, straight folds. The many-coloured leaves and branches of the trees of the Forest of This Life were motionless. Care, the Leopard, crouched, unobservant, forgetful to spring, while the Hart was fixed spellbound in the midst of its headlong flight. A spell seemed, indeed, to rest on all things, which had in it more than the watchful hush of the ordinary sickroom. It suggested a certain moral attitude—a quiet, not acquiesced in merely, but promoted.