Then came darkness, silence, rest.
BOOK VI
THE NEW HEAVEN AND THE NEW EARTH
CHAPTER I
IN WHICH MISS ST. QUENTIN BEARS WITNESS TO THE FAITH THAT IS IN HER
Honoria divested herself of her traveling-cap, thrust her hands into the pockets of her frieze ulster, and thus, bareheaded, a tall, supple, solitary figure, paced the railway platform in the dusk. Above the gentle undulations of the western horizon splendours of rose-crimson sunset were outspread, veiled, as they flamed upward, by indigo cloud of the texture and tenuity of finest gauze. And those same rose-crimson splendours found repetition upon the narrow, polished surface of the many lines of rails, causing them to stand out, as though of red-hot metal, from the undeterminate gray-drab of the track where it curved away, southeastward, across the darkening country towards the Savoy Alps. And from out the fastnesses of these last, quick with the bleak purity of snow, came a breathing of evening wind. To Honoria it brought refreshing emphasis of silence, and of immunity from things human and things mechanical. It spoke to her of virgin and unvisited spaces, ignorant of mankind and of obligation to his so many and so insistent needs. And there being in Honoria herself a kindred defiance of subjection, a determination, so to speak, of physical and emotional chastity, she welcomed these intimations of the essential inviolability of nature, finding in them justification and support of her own mental attitude—of the entire wisdom of which she had, it must be owned, grown slightly suspicious of late.
And this was the more grateful to her, not only as contrast to the noise and dust of a lengthy and hurriedly-undertaken journey, but because that same journey had been suddenly and, in a sense violently, imposed upon one whom she held in highest regard, by another whom she had long since agreed with herself to hold in no sort of regard at all. Since the highly-regarded one set forth, she—Honoria—of course, set forth likewise. And yet, in good truth, the whole affair rubbed her not a little the wrong way! She recognised in it a particularly flagrant example of masculine aggression. Some persons, as she reflected, are permitted an amount of elbow room altogether disproportionate to their deserts. Be sufficiently selfish, sufficiently odious, and everybody becomes your humble servant, hat in hand! That is unfair. It is, indeed, quite extensively exasperating to the dispassionate onlooker. And, in Miss St. Quentin's case, exasperation was by no means lessened by the fact that candour compelled her to admit doubt not only as to the actuality of her own dispassionateness, but, as has already been stated, to the wisdom of her mental attitude generally. She wanted to think and feel one way. She was more than half afraid she was much disposed to think and feel quite another way. This was worrying. And, therefore, it came about that Honoria hailed the present interval of silence and solitude, striving to put from her remembrance both the origin and object of her journey, while filling her lungs with the snow-fed purity of the mountain wind and yielding her spirit to the somewhat serious influences of surrounding nature. All too soon the great Paris-express would thunder into the station. The heavy, horse-box-like sleeping-car—now standing on the Culoz-Geneva-Bâle siding—would be coupled to the rear of it. Then the roar and rush would begin again—from dark to dawn, and on through the long, bright hours to dark once more, by mountain gorge, and stifling tunnel, and broken woodland, and smiling coastline, and fertile plain, past Chambéry, and Turin, and Bologna, and mighty Rome herself, until the journey was ended and distant Naples reached at last.
But Miss St. Quentin's communings with nature were destined to speedy interruption. Ludovic Quayle's elongated person, clothed to the heels in a check traveling-coat, detached itself from the company of waiting passengers, and blue-linen-clad porters, upon the central platform before the main block of station buildings, and made its light and active way across the intervening lines of crimson-stained metals.