I must have gaped at her. Could it be she didn't know that I had seen it? Didn't know what I had been through? I recalled confusedly the warning of the Chief of Police and father not to say anything of what I had seen. This was what they meant; this was the meaning of the carriage, the alley and the back door of the prison; all my part in the business had been kept secret. I wondered what in the world Hallie could have thought of my behavior last night, but I was greatly relieved to think of the fusillade of questions I had escaped. I managed to get out something about father's having heard a shot.
"Of course I know that," Hallie said, pulling me down on the sofa beside her. She was too full of her subject to notice how oddly I must have looked. "It's all in the paper, how they found him—Mr. Rood, I mean."
"It's here," Estrella said, sitting down on the other side of me, and unfolding the crumpled sheet she had been carrying rolled up in her hand. She and Hallie held it stretched out in front of me.
The sight of Johnny Montgomery's name staring at me from the page made my heart beat a little. But when I began reading down the column I couldn't seem to make sense of it. The only thing that stood out in the jumble was a name nearly at the bottom of the sheet, Carlotta Valencia. It gave me a queer little stir of feeling, merely seeing that name under his. Keeping my finger on it, "Who is that?" I asked.
"Oh, don't you know?" Hallie demanded, looking surprised, but delighted at the chance of giving more information. "That is the Spanish Woman." Estrella crossed her arms on her waist, and drew herself up, exactly as her mother does when she thinks some one is beneath her. "You see," Hallie went on, explaining a little more to me, "she was—well, a sort of friend of Mr. Rood's, and the paper says she feels dreadfully about him!" Estrella sniffed.
"But," I cried, "you said last night that the shooting had been over her."
"Yes, I know!" Hallie leaned forward impressively and seized a hand of each of us. "It's perfectly true—at least it's what my father said when the news came. He said, 'That confounded Valencia woman is at the bottom of this, depend upon it.' But your father was very angry that I had spoken of it, so of course I'm telling you this in strictest confidence. The paper," Hallie went on, we both listening with open eyes, "doesn't say the Spanish Woman had anything to do with the shooting. So you see, no one does know exactly what it's about. It's really the most mysterious thing! They found Mr. Rood lying there quite dead," she continued breathlessly, "and they went to Johnny Montgomery's house, but he wasn't there. Then some one told Mr. Dingley they had seen a man run down Washington Street, so they followed that trail, and finally they got him in a house down on the water front, in a bad part of the city. My father said it would have made things better for him if he had given himself up quietly; but he barricaded the house, and almost escaped out of a back window. They had a dreadful fight before they got him even then. He is so strong, father says, that he just threw the men right and left as if he had been a madman."
Hallie is wonderful when she is telling news. She never says unkind things about anybody, and she is always so excited over what has happened that she makes it sound like a romance. But now I was too anxious to enjoy it. I felt I had to ask one question more, though every word that came out of my mouth was a possible slip or lie. "But, if they found Mr. Rood in the street with nobody near him, what makes them think it was Mr. Montgomery who shot him?"
"That is the very queerest part of it," Hallie declared, nodding until her green feathers nodded again, "but he was suspected immediately. What they say is—" she lowered her voice impressively—"that some one saw him do it."
I fairly cowered in my chair. "But he can't have meant to kill him," I urged. "Why, his family was one of the best in the city. Just think, Hallie, your mother knew his mother well, and he used to play with Estrella's brothers."