The Other Side of the Door

by Lucia Chamberlain

He began with a sort of oration, all about the Montgomery family, and what a fine family, they had been, how much they had done for the city! Then he talked about Johnny, and he drew a very beautiful picture of him, speaking of his great promise and fine character and then of the blow which was being struck at his brilliant career; and it was somehow awful to have to listen to it, for even supposing it were true, this seemed scarcely the time for saying it. I could see Johnny's face getting more and more set-looking and grim, as if he hated listening to the words that were pouring over his head.

Then, in some way I couldn't follow, Mr. Jackson got from that to talking about courts and evidence, and corroborating testimony; and though for a while I couldn't make out what he was driving at, presently it began to appear to me that he was trying to prove that all the witnesses on the state's behalf had been lying. He was wonderfully clever in his way of making the testimony seem improbable. He pulled even mine to pieces, pointing out the revolver's not being where I said it had fallen. He declared there was a plot against the prisoner; that the gunsmith who had testified about the buying of the pistol had been bribed to do so; and he appealed to the feelings of humanity and justice in the jury.

He spoke beautifully. It made one's heart beat to hear just the tone of his voice, even though one couldn't quite understand what he was saying. And yet it was strange I thought that with everything he said he did not bring forward, or even try to bring forward, one single direct proof to show that Johnny Montgomery was innocent.

I was in a very confused state of mind indeed when Mr. Dingley got to his feet. Though I had never heard him speak in a court I had read in the newspapers that he was "Our golden-tongued orator," and father had been used to say that, "Dingley was a whirlwind." But now, when he rose, and turned toward the jury-box and began, his voice sounded stiff and cold, as if he brought it out with a great effort. He didn't shake his finger at the jury, as Mr. Jackson had done, nor fling out his hands, nor lift his arms in the air and bring them down as if he were bringing the world down on one's head. He simply stood there, and in a matter of fact, even voice gathered up the evidence of the different witnesses as one would beads in the hand, and strung them together; and I saw a long chain of evidence winding around Johnny Montgomery. As he went on measuring it out, for the first time I understood how heavily my testimony counted. It seemed to do away with the whole defense. In spite of Mr. Dingley the case seemed to be proving itself, and as he went on he warmed to the very sound of his own argument; his voice began to ring out more and I lost sight and memory of everything that Mr. Jackson had said.

All heads were craning toward him as he stood with his back to all of us, talking at the men in the jury-box as if they were the only people in the world. The Spanish Woman was leaning forward, her elbow on her knee, her head drooped, her hand hiding the lower part of her face, but looking out from under her eyebrows like a picture I had once seen of a prophetess. I felt that we were being wound up every moment more and more tense, and when Mr. Dingley stopped, he left us at the highest pitch possible for human beings to bear. When he sat down again he gave a quick glance behind and around him and, as for a moment it lingered on the Spanish Woman, I thought it seemed a little defiant.

I hardly realized what was happening in the room around me. The judge was reading something endless to the jury, not one word of which my ears could take. Then that sound ceased, and presently I noticed that the jurymen were leaving the room.

With the closing of the door upon them the aspect of things behind the railings changed, the judge getting up, walking restlessly back and forth in front of his platform for a minute, then going back to his writing; the clerk of the court keeping on with his, and most of the lawyers going out. Mr. Dingley passed us with just a bend of the head, and father glanced after him and made a little sound in his throat, a sort of meditative "h'm" of surprise. But the crowd kept very quiet; as the minutes passed the room grew more and more still. A sense of nervousness was over all. Every time a door opened there was a rumor that the jury was coming back.

"Well, it may be five minutes, and it may be all night," I heard Mr. Ferguson saying to father. "That pistol disappearing is going to give him a chance." Father answered, "That was a guilty man's defense, just the same."

But I seemed to have forgotten there were such things as guilt or innocence. I kept watching Johnny Montgomery, who was sitting almost alone, with his head a little bent forward, looking at the table in front of him. The light fell strongly on his face, making it almost seem to shine, and I looked at the little white seam of the scar on his cheek that had helped to identify him, at his black, brooding eyebrows, and the long lock of hair falling over his forehead, and I thought, so softly that it scarcely dared to be a thought, "Perhaps I shall never see any of these again." I felt very quiet, as though I should never want to laugh or cry again.

I lost all track of time; but the light was falling in the room and that bright look it had given Johnny's face was turning gray, when, quite suddenly, he gave a shiver, and pulled himself up in his chair, nervously drawing in his shoulders. I looked quickly at the judge's desk and saw a man standing beside it and offering a paper. It glimmered faintly white as he held it up. I saw the judge lean over, stretching out his fine, plump hand to take it, and I heard him say: "Is this your verdict?"