The palace doors are now thrown open and the shrouded body of the queen is discovered within. Theseus, in an agony of lamentations, seeks to know the cause of his queen's death. He at length discovers a letter clasped in her dead hand, by which he is informed that Phaedra has slain herself in grief and shame because her honor has been violated by the king's own son, Hippolytus. Thereupon Theseus curses his son, and calls on Neptune to destroy him, offering this as one of the three requests which, in accordance with the promise of the god, should not be denied.

Here enters Hippolytus, hearing the sound of his father's voice. He looks in amazement upon the corpse of Phaedra, and begs his father to explain her death. Theseus, supposing that his son conceals a guilty conscience, makes no direct answer, but inveighs against the specious arts of man. This strange speech, and still more the manner of his father, now show Hippolytus that he himself is connected in his father's mind with Phaedra's death; and he seeks to know who has thus calumniated him. The wrath of Theseus now breaks over all bounds. He charges his son with the dishonor and murder of his wife, and with withering scorn taunts him with his former professions of purity. Hippolytus protests his innocence, but Theseus continues obdurate, and produces the fatal letter in proof of his statements. Then the youth realizes the terrible mesh of circumstances in which he is taken; but, bound by his oath of secrecy, he endures in silence. After Theseus has pronounced the doom of exile upon him, and retired within the gates, he himself goes forth to seek his comrades and acquaint them with his fate.

Third episode.—Theseus, just returned to earth from hades, and with all the horrors of the lower world still upon him, briefly refers to his dreadful experiences and his escape by the aid of Hercules. Then, hearing the sounds of lamentation, he asks the cause. He is told by the nurse that Phaedra, for some reason which she will not disclose, has resolved on immediate self-destruction. Rushing into the palace, he encounters Phaedra just within. After urgent entreaties and threats from Theseus, she confesses that she is determined to die in order to remove the stain upon her honor; and without mentioning the name of him who has ruined her, she shows the sword which Hippolytus has left behind in his flight. This is at once recognized by Theseus, who flies into a wild passion of horror, rage, and bitter scorn. He vows dire vengeance upon his son, which shall reach him wherever he may flee; and ends by claiming from Neptune, as the third of the boons once granted him, that the god will destroy Hippolytus.

Third choral interlude.—The chorus reflects upon the precarious life of man, lauds the golden mean, and prays for the blessings of life without conspicuous fame. No man can hope for continued security in life, when such a youth as Hippolytus is driven off by Theseus' ire. It laments that no longer will his steeds, his lyre, his wonted woodland haunts know the well-loved youth; and reproaches the gods that they did not better screen their guiltless votary.

Third choral interlude.—The chorus complains that while nature is so careful to maintain the order of the heavenly bodies, the atmospheric phenomena, the seasons, and the productiveness of wealth, for the affairs of men alone she has no care. These go all awry. Sin prospers and righteousness is in distress. Verily, it does not at all profit a man to strive to live uprightly, since all the rewards of life go to the vain and profligate. While the case of Hippolytus is not mentioned, it is clearly in mind throughout.

Exode.—The last words of the chorus are interrupted by the approach of a messenger who hastily inquires for the king. As the latter comes forth from the palace, the messenger announces the death of his son. At the king's request he gives a detailed account of the disaster: how Hippolytus was driving his fiery coursers along the shore, when Neptune sent a monstrous bull from out the sea, which drove the horses to a panic of fear; how the car was at length dashed against a ragged cliff, and Hippolytus dragged, bruised and bleeding, by the maddened horses; how, though yet living, he could not long survive. Theseus expresses pleasure at his son's sufferings, and bids that he be brought into his presence that he may behold his punishment.

The chorus interjects a single strophe, acknowledging Venus as the unrivaled queen of heaven and earth.

Diana now appears to Theseus and reveals to him the whole truth, explaining the infatuation of the queen, the fatal letter, and the wiles of Venus. The father is filled with horror and remorse. Diana tells him that he may yet hope for pardon for his sin, since through the wiles of Venus, which she herself could not frustrate, the deed was done.

Here the dying Hippolytus is borne in by his friends. In his agony he prays for death; but by the voice of his loved goddess he is soothed and comforted. After a touching scene of reconciliation between the dying prince and his father, the youth perishes, leaving Theseus overcome with grief.

Exode.—A messenger, hurrying in, announces to Theseus the death of his son. Theseus receives the news calmly and asks for a detailed account. The messenger relates how Hippolytus had yoked his horses to his car and was driving madly along the highway by the sea, when suddenly the waves swelled up and launched a strange monster in the form of a bull upon the land. This monster charged upon Hippolytus, who fronted the beast with unshaken courage. But in the end the horses became unmanageable through fright, and dragged their master to his death among the rocks. The body of the hapless Hippolytus has been torn in pieces and scattered far and wide through the fields; and even now attendants are bringing these in for burning on the pyre. Theseus laments, not because his son is dead, but because it is through his, the father's, act.