The very thing, which the barber, Arkwright did, for all the spinning Jennies, in Lancashire, some seventy years ago, has been done by Jenny Lind, for all the singing Jennies upon earth, beside herself—they are cast into the shade.
She came here with an irresistible prestige. A singing woman has been a proverb, since the world began; and, of course, long before Ulysses dropped in, upon the island of Ogygia, and listened to Calypso; or fell into serious difficulty, among the Sirens. A singing woman, a Siren, has been frequently accounted, and with great propriety, a singing bird of evil omen. How grateful then must it be, to know, that, while lending their ears and their eyes to this incomparable songstress, our wives, our daughters, and our sisters have before them a pure, and virtuous, and gentle, and generous creature, as free, as poor, human nature can well be free, from life’s alloy, and very much as she was, when created—a little lower than the angels.
Among other mythological matters, Pausanias relates, that the three Sirens, instigated by Juno, challenged the Muses to a trial of skill in singing. They were beaten, of course, for the Muses, being nine in number, there were three upon one. The victors, as the story goes, proceeded very deliberately, to pluck the golden feathers, from the wings of the vanquished, and converted them into crowns, for their own brows.
Now, it cannot be denied, that Jenny has vanquished us all, and made the golden feathers fly abundantly. But this is not Jenny’s fault; for, whatever the wisdom or the folly, the affair was our own entirely. If, for the sake of distinction, any one has seen fit to pluck every golden feather from his back, and appear, like the featherless biped of Diogenes, and give the golden feathers to Jenny, to make her a crown; we have substantial facts, upon which to predict, that Jenny will make a better use of those golden feathers, than to fool them away, for a song. If Jenny plucks golden feathers, from the backs of the rich, she finds bare spots enough, for a large part of them all, upon the backs of the poor: and, as for the crown, for Jenny’s brows, if she goes onward, as she has begun, investing her treasure in Heaven, and selecting the Lord for her paymaster, there will be her coronation; and her crown a crown of Glory. And, when she comes to lie down and die, let the two last lines of Johnson’s imperishable epitaph, on Philips, be inscribed upon her tomb—
“Rest undisturb’d, beneath this marble shrine,
Till angels wake thee, with a note like thine.”
Orpheus was changed into a swan; Philomela into a nightingale; and Jenny, in due time, will be changed into an angel. Indeed, it is the opinion of some competent judges, that the metamorphosis has already commenced.
Music is such a delightful, soothing thing, that one grieves, to think its professors and amateurs are frequently so excessively irritable.
The disputes, between Handel and Senesino, and their respective partisans, disturbed all London, and finally broke up the Academy of Music, after it had been established, for nine years. The quarrels of Handel and Buononcini are said to have occasioned duels, among the amateurs; and the nation was filled, by these musical geniuses, with discord and uproar. Good humor was, in some degree, restored, by the following epigram, so often ascribed to Swift, the two last lines of which, however, are alone to be found in the editions of his works, by Nicholls, and Scott:
“Some say, that signor Buononcini,
Compar’d with Handel, is a ninny;
Others aver to him, that Handel
Does not deserve to hold a candle;
Strange, all this difference should be,
’Twixt tweedle dum and tweedle dee.”
This epigram cannot be attributed to that contempt for music, which is sometimes occasioned, by a constitutional inability to appreciate its effect, upon the great mass of mankind. It undoubtedly sprang from a desire to put an end, by the power of ridicule, to these unmusical disturbances of the public peace.