The reader should practice in the room where the entertainment is to be given, at least enough to be sure of its acoustic properties and so secure the right pitch of voice,--height and size of room, as well as shape and furnishings, making a great difference.
The reading must be given in front of the closed curtain, that the manager may be having the stage prepared for each succeeding tableau, that it may be presented promptly when desired.
Ordinarily tableaux should he shown twice, as few in the audience get more than a glimpse of what they want to see in detail. If elaborate, even a third showing is always acceptable, and as the picture is already arranged it requires but little time, and is better than one long period of showing it.
In making up, use as simple materials as possible; scorched flour for darkening the skin, corn starch for white powder, an ordinary soft lead pencil for outlining eyebrows, etc. Dark wigs may be made of curled hair (such as is used for mattresses) sewed to a cambric “skull” fitted to the head for which it is intended; white ones of cotton batting sewed on in tufts to represent short curls; mustache, whiskers, etc., may be manufactured from coarse linen thread attached to a bit of cloth which again has to be “stuck on” by means of mucilage, court plaster or white of egg.
Foot-lights are essential for tableaux, and if not supplied, a row of small hand lamps at the front edge of platform is easily procured. Candles are good also--but not quite so safe. Shades for either may be made of old tin cans, all the seams unsoldered, top and bottom removed, the tin being turned toward the audience, and throwing the light on the picture. Shade must at least be as high as the blaze. Wings are as difficult to make seem natural as anything, and yet should be easily made and adjusted, by first cutting a pattern of the desired shape and length; cut the wings from cotton flannel, nap running from shoulder to tip; sew stiff bonnet wire around the edges, being sure to make a pretty shape and not too small; set them on a piece of cloth three by six inches, also wired. Wings must not be stiff enough to be awkward, nor limp enough to be troublesome; if the latter, additional wiring, lengthwise diagonally, will correct it--and if the cloth is too light in texture it may be used double.
THE BIRTH OF THE IVY.
Illustrated with Ten Tableaux, especially arranged for this Publication.
Characters:--“A Ladye of High Degree”; Her Knight; Her Page; Peasants.
Costumes:--In the first two tableaux the Ladye wears any elegant dress that is sufficiently antique, and which can be put on over the white one used in the third and fourth. In the fifth a hat and mantle may be used to change the appearance, but little time being given between the changes of scene; a plain dark gown in the sixth and seventh, over which may be draped something brilliant for the eighth; in the ninth a white or light colored wrapper or simple house dress.
In the second tableau the Knight first appears--and in ordinary dress; in the next in full military costume, as also in the fifth, his “last appearance.”